1
00:00:01,468 --> 00:00:02,436
{\an7}Kevin Richardson: WHOA! OOF!

2
00:00:02,469 --> 00:00:05,238
{\an7}Narrator: THIS IS A BOND
\h\h\hTHAT DEFIES BELIEF.

3
00:00:05,272 --> 00:00:09,576
{\an7}AN EXTRAORDINARY RELATIONSHIP
\h\h\h\h\h\h\hBUILT ON TRUST.

4
00:00:09,610 --> 00:00:14,515
{\an7}BUT NOW KEVIN RICHARDSON FACES
HIS BIGGEST CHALLENGE YET--

5
00:00:14,548 --> 00:00:20,821
{\an7}MOVING 27 LIONS AND 14 HYENAS
\h\h\h\h\h\h\hTO A NEW HOME.

6
00:00:20,854 --> 00:00:22,622
{\an7}[GROWLING]

7
00:00:22,656 --> 00:00:24,858
<font face="Monospace">{\an7}BOUNDARIES WILL BE PUSHED
\h\h\h\h\h\hTO THE LIMIT.

8
00:00:24,892 --> 00:00:26,894
{\an7}Kevin: THE LIONS ARE GOING MAD.

9
00:00:26,927 --> 00:00:28,162
{\an7}[SHRIEKING]

10
00:00:28,195 --> 00:00:31,198
{\an7}Narrator: RELATIONSHIPS PUT
\h\h\h\h\h\h\hTO THE TEST.

11
00:00:31,231 --> 00:00:32,866
{\an7}Kevin: NO!

12
00:00:32,900 --> 00:00:35,136
{\an7}Narrator: AND THE MOVE
\h\hCOMES UNDER THREAT.

13
00:00:35,168 --> 00:00:37,103
{\an7}Kevin: LESS THAN A MONTH AWAY
\h\h\h\hFROM MOVING ANIMALS,</font>

14
00:00:37,137 --> 00:00:39,072
{\an7}AND NOW I GET AN ANSWER
\h\h\h\h\h\hSAYING NO.

15
00:00:39,106 --> 00:00:40,474
{\an7}NOW WHAT DO WE DO!

16
00:00:40,507 --> 00:00:54,254
{\an7}♪

17
00:00:54,288 --> 00:00:56,323
{\an7}Kevin: WHOA! OOF!

18
00:00:56,356 --> 00:00:58,258
{\an7}[LAUGHS]

19
00:00:58,292 --> 00:01:03,097
{\an7}Narrator: MEET KEVIN RICHARDSON,
A VERY UNUSUAL PRIDE MATE.

20
00:01:03,130 --> 00:01:07,701
{\an7}\h\h\h\h\h\h\h\h\h\h\h\hKevin:
THIS IS JUST UNADULTERATED FUN</font>

21
00:01:07,734 --> 00:01:09,869
{\an7}THAT THEY’RE HAVING HERE,

22
00:01:09,903 --> 00:01:14,174
{\an7}\h\h\h\hAND, OOH, KEV’S
THEIR LITTLE PLAYTHING.

23
00:01:14,207 --> 00:01:19,112
{\an7}[GIGGLING]

24
00:01:19,146 --> 00:01:22,483
{\an7}\hTHEY ENJOY NOTHING MORE
THAN TO DO THIS WITH ME.

25
00:01:22,516 --> 00:01:27,688
{\an7}THIS HAS BEEN GOING ON
\h\h\h\h\hFOR 10 YEARS.

26
00:01:27,721 --> 00:01:29,056
{\an7}OH!

27
00:01:29,089 --> 00:01:30,390
<font face="Monospace">{\an7}THE WAY THEY PLAY WITH ME</font>

28
00:01:30,424 --> 00:01:32,526
{\an7}IS EXACTLY HOW THEY PLAY
\h\h\h\hWITH EACH OTHER.

29
00:01:32,559 --> 00:01:35,595
{\an7}\hTHE ONLY DIFFERENCE IS THAT
THEY DO TONE IT DOWN WITH ME.

30
00:01:35,629 --> 00:01:39,166
{\an7}[LAUGHING]

31
00:01:39,199 --> 00:01:40,567
{\an7}ARE YOU HAPPY?

32
00:01:40,601 --> 00:01:43,471
{\an7}I’M HAPPY!

33
00:01:43,503 --> 00:01:44,804
{\an7}IT’S GREAT FUN.

34
00:01:44,838 --> 00:01:47,741
<font face="Monospace">{\an7}THEY REALLY ENJOY IT,
\hI REALLY ENJOY IT.

35
00:01:47,774 --> 00:01:50,210
{\an7}WHEN YOU KNOW THESE GIRLS
\h\h\h\hAS WELL AS I DO,

36
00:01:50,243 --> 00:01:53,346
{\an7}YOU REALIZE THAT I’M JUST
\h\h\hPART OF THEIR PRIDE

37
00:01:53,380 --> 00:01:56,550
{\an7}\hAND THEY ACCEPT ME
AS ONE OF THEIR OWN.

38
00:01:56,583 --> 00:01:59,152
{\an7}\hI KNOW THAT THERE’S
NO UNTOWARD BEHAVIOR,

39
00:01:59,186 --> 00:02:02,389
{\an7}AND WHENEVER THEY DO THIS,
\h\hIT’S COMPLETELY AMAZING</font>

40
00:02:02,422 --> 00:02:06,593
{\an7}\hBECAUSE THEY DON’T BITE,
THEIR CLAWS DON’T COME OUT.

41
00:02:06,627 --> 00:02:08,295
{\an7}HELLO, MY GIRL.

42
00:02:08,328 --> 00:02:09,329
{\an7}UGH!

43
00:02:09,363 --> 00:02:12,933
{\an7}[LAUGHING]

44
00:02:18,972 --> 00:02:23,143
{\an7}Narrator: 27 LIONS MAKE UP
\hKEVIN’S UNLIKELY FAMILY.

45
00:02:23,176 --> 00:02:26,579
{\an7}HE HAS KNOWN MOST OF THEM
\h\hSINCE THEY WERE CUBS.

46
00:02:26,613 --> 00:02:28,048
<font face="Monospace">{\an7}BORN IN CAPTIVITY,</font>

47
00:02:28,081 --> 00:02:31,217
{\an7}THEY ARE EITHER FORMER STARS
\h\h\hFROM THE MOVIE INDUSTRY

48
00:02:31,251 --> 00:02:34,054
{\an7}\h\h\h\h\h\h\hOR DONATED
FROM OTHER ANIMAL PARKS.

49
00:02:37,591 --> 00:02:38,759
{\an7}THE LIONS LIVE

50
00:02:38,792 --> 00:02:41,595
{\an7}IN AN OVER 1,100-ACRE
\hWILDLIFE SANCTUARY

51
00:02:41,628 --> 00:02:44,331
{\an7}IN SOUTH AFRICA...

52
00:02:44,364 --> 00:02:48,101
<font face="Monospace">{\an7}ALSO HOME TO FOUR BLACK LEOPARDS</font>

53
00:02:48,135 --> 00:02:52,206
{\an7}AND 14 SPOTTED HYENAS.

54
00:02:52,239 --> 00:02:53,841
{\an7}[ROARING]

55
00:02:53,874 --> 00:02:57,745
{\an7}BUT NOW THE RESERVE THEY LIVE IN
IS UP FOR SALE.

56
00:02:57,778 --> 00:03:01,048
{\an7}THEY NEED TO RELOCATE.

57
00:03:01,081 --> 00:03:04,918
{\an7}A HUGE UNDERTAKING.

58
00:03:04,951 --> 00:03:06,986
{\an7}Kevin: I MADE A PROMISE
\h\hTO TAU AND NAPOLEON

59
00:03:07,020 --> 00:03:10,857
<font face="Monospace">{\an7}WHEN THEY WERE LITTLE CUBS,
\h\h\hALL THOSE YEARS AGO,

60
00:03:10,891 --> 00:03:14,862
{\an7}\h\h\h\h\hTHAT I WOULD SEE OUT
THEIR DYING DAYS IN CAPTIVITY,

61
00:03:14,895 --> 00:03:16,630
{\an7}AND I WOULD MAKE DAMN SURE

62
00:03:16,663 --> 00:03:20,634
{\an7}THAT THEY HAD THE BEST LIFE
\hTHAT I COULD GIVE THEM...

63
00:03:20,667 --> 00:03:23,703
{\an7}\hBUT ALONG THE WAY WE HAVE
GATHERED A BIT OF BAGGAGE.

64
00:03:23,737 --> 00:03:24,705
{\an7}[LAUGHS]

65
00:03:24,738 --> 00:03:26,373
<font face="Monospace">{\an7}ALL THE OTHER LIONS AND HYENAS,</font>

66
00:03:26,406 --> 00:03:27,941
{\an7}AND THEY’RE COMING ALONG
\h\h\h\h\h\hFOR THE RIDE,

67
00:03:27,974 --> 00:03:31,644
{\an7}\h\hAND THEY DESERVE EVERYTHING
THAT TAU AND NAPOLEON HAVE GOT.

68
00:03:33,580 --> 00:03:37,284
{\an7}Narrator: THE ANIMALS’ FUTURE
HOME IS IN ANOTHER PROVINCE--

69
00:03:37,317 --> 00:03:41,488
{\an7}A NEW SANCTUARY ALREADY
\h\hUNDER CONSTRUCTION.

70
00:03:41,521 --> 00:03:47,227
<font face="Monospace">{\an7}IN ALL, 13 ENCLOSURES WITHIN
\hAN 86-ACRE ENRICHMENT AREA.

71
00:03:47,260 --> 00:03:52,132
{\an7}IT BORDERS THE OVER 45,000-ACRE
DINOKENG RESERVE,

72
00:03:52,165 --> 00:03:54,534
{\an7}HOME TO AFRICA’S
LARGEST MAMMALS,

73
00:03:54,568 --> 00:03:59,506
{\an7}\h\h\hINCLUDING ELEPHANTS,
WHITE RHINO AND WILD LIONS.

74
00:04:04,177 --> 00:04:09,949
{\an7}\h\h\h\hNOW THE PRESSURE OF
THE RELOCATION IS MOUNTING.

75
00:04:09,983 --> 00:04:15,489
{\an7}\h\h\hEACH JOURNEY IS
136 MILES ROUND TRIP,</font>

76
00:04:15,522 --> 00:04:20,027
{\an7}BUT THE BIGGEST HURDLE OF ALL
\h\h\h\h\h\h\hIS YET TO COME.

77
00:04:20,060 --> 00:04:22,329
{\an7}EVERY CAPTIVE LION
\h\hIN SOUTH AFRICA

78
00:04:22,362 --> 00:04:25,799
{\an7}\h\h\h\hNEEDS A PERMIT
TO BE HOUSED IN A PARK.

79
00:04:25,832 --> 00:04:28,668
{\an7}\h\h\h\h\hBUT SECURING A PERMIT
TO LIVE IN A DIFFERENT PROVINCE

80
00:04:28,702 --> 00:04:30,704
{\an7}IS NO EASY FEAT.

81
00:04:30,737 --> 00:04:33,073
{\an7}Kevin: YOU WOULD SWEAR
\hIT WOULD BE AS SIMPLE</font>

82
00:04:33,106 --> 00:04:36,776
{\an7}AS SOMEBODY SAYING THAT’S FINE,
MEET THE SPECS,

83
00:04:36,810 --> 00:04:38,645
{\an7}AND WE WILL GIVE YOU
\h\h\h\hYOUR PERMIT.

84
00:04:38,678 --> 00:04:40,713
{\an7}NOT SO, NOT THE CASE.

85
00:04:40,747 --> 00:04:42,949
{\an7}IT’S REALLY IRRITATING.

86
00:04:42,983 --> 00:04:45,519
{\an7}YEAH. ARE YOU ALSO
IRRITATED, MY GIRL?

87
00:04:45,552 --> 00:04:48,088
{\an7}AND YOU, MY BOY, COME LIE HERE.

88
00:04:54,161 --> 00:04:55,629
<font face="Monospace">{\an7}Narrator: DESPITE THE HOLDUPS,</font>

89
00:04:55,662 --> 00:04:59,266
{\an7}KEVIN NEEDS TO CARRY ON
PREPARING FOR THE MOVE.

90
00:04:59,299 --> 00:05:04,337
{\an7}\h\hHE HOPES TO FORM
A NEW PRIDE OF LIONS.

91
00:05:04,371 --> 00:05:09,543
{\an7}SISTERS MEG AND AMY HAVE NEVER
LIVED WITH OTHER LIONS BEFORE.

92
00:05:09,576 --> 00:05:12,079
{\an7}BUT NOW THAT’S ABOUT TO CHANGE.

93
00:05:12,112 --> 00:05:14,748
{\an7}Kevin: YES.

94
00:05:14,781 --> 00:05:18,285
<font face="Monospace">{\an7}\h\h\h\h\hTHEY REALLY ARE
THE TWO LOVES OF MY LIFE.

95
00:05:18,318 --> 00:05:20,654
{\an7}THEY ARE 9-YEAR-OLD LIONESSES,

96
00:05:20,687 --> 00:05:24,257
{\an7}\h\hAND AS WE PREPARE TO MOVE
THE PARK TO THE NEW PREMISES,

97
00:05:24,291 --> 00:05:26,593
{\an7}I’VE GOT TO CONSOLIDATE ANIMALS,

98
00:05:26,626 --> 00:05:29,295
{\an7}\h\h\h\h\hAND THIS MEANS
THAT THESE TWO LIONESSES

99
00:05:29,329 --> 00:05:32,199
{\an7}ARE GOING TO HAVE TO GO
\h\h\hWITH THREE BOYS.

100
00:05:32,232 --> 00:05:36,303
<font face="Monospace">{\an7}\h\h\h\h\h\h\h\h\hNarrator:
AND TSAR, BONGANI AND SUJA

101
00:05:36,336 --> 00:05:38,305
{\an7}ARE THE PERFECT SUITORS.

102
00:05:38,338 --> 00:05:41,408
{\an7}\h\h\h\hKevin: IN THE WILD,
AS MALES COME INTO PRIDES,

103
00:05:41,441 --> 00:05:44,544
{\an7}THERE IS A BIT OF TURMOIL,
\hAS FEMALES GET UNSETTLED,

104
00:05:44,578 --> 00:05:46,113
{\an7}AND THERE CAN BE FIGHTING

105
00:05:46,146 --> 00:05:48,982
{\an7}\h\h\h\hWHERE THE FEMALES ARE
A LITTLE BIT MORE RESISTIVE.</font>

106
00:05:49,015 --> 00:05:52,452
{\an7}\hNarrator: LIONS ARE THE ONLY
CATS TO LIVE IN SOCIAL GROUPS.

107
00:05:52,485 --> 00:05:55,188
{\an7}THE FEMALES OFTEN STAY
IN THEIR BIRTH PRIDES,

108
00:05:55,222 --> 00:05:58,158
{\an7}WHEREAS THE MALES FORM
\h\hNOMADIC COALITIONS

109
00:05:58,191 --> 00:06:01,194
{\an7}\hBEFORE TAKING OVER
A PRIDE OF THEIR OWN.

110
00:06:01,228 --> 00:06:04,298
{\an7}BUT THERE’S NO GUARANTEE THAT
THIS INTRODUCTION WILL WORK.

111
00:06:04,331 --> 00:06:06,500
<font face="Monospace">{\an7}Kevin: TO INTRODUCE THEM
\h\h\h\hIN A CAREFUL WAY,

112
00:06:06,533 --> 00:06:08,201
{\an7}I’VE GOT TO KEEP MEG AND AMY
\h\h\h\h\h\h\h\h\hLOCKED UP,

113
00:06:08,235 --> 00:06:09,803
{\an7}AND THEN I’M GOING TO INTRODUCE
ONE OF THE BOYS,

114
00:06:09,836 --> 00:06:12,639
{\an7}\h\h\h\h\h\h\hHIS NAME’S TSAR,
JUST LET THEM SNIFF EACH OTHER,

115
00:06:12,672 --> 00:06:14,741
{\an7}GET USED TO EACH OTHER
\h\hTHROUGH THE FENCE.

116
00:06:19,813 --> 00:06:22,149
<font face="Monospace">{\an7}Narrator: WITH THE GIRLS
\h\h\hSAFELY LOCKED AWAY,

117
00:06:22,182 --> 00:06:25,719
{\an7}\hTSAR IS RELEASED
INTO THE ENCLOSURE.

118
00:06:25,752 --> 00:06:28,855
{\an7}Kevin: OH, HERE HE COMES.
\h\h\h\h\h\h\h\h[LAUGHS]

119
00:06:28,889 --> 00:06:30,290
{\an7}LOOK AT HER.

120
00:06:30,323 --> 00:06:32,559
{\an7}LOOK HOW TENTATIVE SHE IS.

121
00:06:35,562 --> 00:06:39,533
{\an7}SHE’S ALREADY SUBMITTING.

122
00:06:39,566 --> 00:06:42,469
{\an7}[PURRING]

123
00:06:42,502 --> 00:06:46,406
<font face="Monospace">{\an7}HE’S A GORGEOUS BOY.</font>

124
00:06:46,439 --> 00:06:50,677
{\an7}Narrator: HIS GRIMACE IS CALLED
THE FLEHMEN RESPONSE.

125
00:06:50,710 --> 00:06:53,947
{\an7}ITS DRAWS SCENT MOLECULES
INTO THE JACOBSEN ORGAN,

126
00:06:53,980 --> 00:06:57,383
{\an7}A HIGHLY SENSITIVE GLAND.

127
00:06:57,417 --> 00:07:01,354
{\an7}IT CAN HELP AN ANIMAL INTERPRET
ALL KINDS OF INFORMATION--

128
00:07:01,388 --> 00:07:04,057
{\an7}WHETHER A FEMALE IS FERTILE
\h\h\h\h\hAND READY TO MATE

129
00:07:04,090 --> 00:07:08,027
<font face="Monospace">{\an7}OR EVEN WHAT KIND OF MOOD
\h\h\h\h\h\h\hTHEY’RE IN.

130
00:07:08,061 --> 00:07:10,163
{\an7}Kevin: YEAH, IT WENT
\hVERY WELL, MY BOY.

131
00:07:10,196 --> 00:07:13,166
{\an7}YOU’RE A LOVER BOY.
\h\h\hYES, YOU ARE.

132
00:07:13,199 --> 00:07:14,701
{\an7}\h\h\h[BABY TALK]
HELLO, MY GIRLY.

133
00:07:14,734 --> 00:07:16,936
{\an7}\h\h\h\h\h\h\hWHO IS THIS
IN YOUR ENCLOSURE, YEAH?

134
00:07:16,970 --> 00:07:18,338
{\an7}WHO IS THIS, YEAH?

135
00:07:18,371 --> 00:07:21,040
<font face="Monospace">{\an7}WHO IS THIS BOY HERE? EH?
\h\h\h\hDO YOU LIKE HIM?

136
00:07:21,074 --> 00:07:23,009
{\an7}Narrator: FOR KEVIN,
THERE’S MORE AT STAKE

137
00:07:23,043 --> 00:07:25,512
{\an7}THAN WHETHER THE LIONS
\h\hACCEPT EACH OTHER.

138
00:07:25,545 --> 00:07:29,449
{\an7}Kevin: I MUST SAY, THIS IS A BIT
OF A WORRYING TIME FOR ME,

139
00:07:29,482 --> 00:07:32,986
{\an7}\hBECAUSE I’VE GOT SUCH A GREAT
RELATIONSHIP WITH MEG AND AMY.

140
00:07:33,019 --> 00:07:35,955
<font face="Monospace">{\an7}AND I’M JUST WONDERING
\h\h\h\hHOW THREE MALES

141
00:07:35,989 --> 00:07:37,958
{\an7}ARE NOW GOING TO AFFECT
\h\h\hOUR RELATIONSHIP.

142
00:07:37,991 --> 00:07:40,627
{\an7}\h\h\hAND IT IS A BIT
FOR SELFISH REASONS,

143
00:07:40,660 --> 00:07:42,562
{\an7}BUT HAVING SAID THAT,

144
00:07:42,595 --> 00:07:44,230
{\an7}I’M GOING TO BE EXTREMELY HAPPY

145
00:07:44,264 --> 00:07:48,802
{\an7}TO SEE THEM NOW LIVING
\h\h\h\h\h\hIN A PRIDE.

146
00:07:48,835 --> 00:07:52,272
<font face="Monospace">{\an7}Narrator: WITH EVERYTHING CALM,
THE NEXT TWO LIONS ARE LET IN,

147
00:07:52,305 --> 00:07:55,008
{\an7}SUJA AND BONGANI.

148
00:07:57,544 --> 00:08:02,082
{\an7}AT FIRST, ALL SEEMS TO BE
\h\h\h\h\hGOING TO PLAN.

149
00:08:02,115 --> 00:08:05,485
{\an7}BUT THEN, SUDDENLY,
\hTHE MOOD CHANGES.

150
00:08:07,821 --> 00:08:11,725
{\an7}[GROWLING]

151
00:08:11,758 --> 00:08:14,027
{\an7}IN THE EXCITEMENT, SUJA AND TSAR

152
00:08:14,060 --> 00:08:16,996
{\an7}\h\hSTART TO FIGHT
OVER THE LIONESSES.</font>

153
00:08:17,030 --> 00:08:25,272
{\an7}[SNARLING]

154
00:08:34,614 --> 00:08:39,652
{\an7}IT’S NOT THE OUTCOME
KEVIN WAS HOPING FOR.

155
00:08:39,686 --> 00:08:41,688
{\an7}Kevin: YOU COULD SEE
\h\hHE WAS AGITATED,

156
00:08:41,721 --> 00:08:43,990
{\an7}\hHE WALKED UP TO THE BARS
WITH A DIFFERENT INTENTION.

157
00:08:44,024 --> 00:08:46,193
{\an7}THE GIRLS PICKED THAT UP
\h\h\h\h\h\hIMMEDIATELY.

158
00:08:46,226 --> 00:08:48,762
{\an7}[GROWLING]

159
00:08:48,795 --> 00:08:50,230
<font face="Monospace">{\an7}YES!</font>

160
00:08:50,263 --> 00:08:53,867
{\an7}\h\hTHAT JUST FUELED THE FIRE,
AND CAUSED, YOU KNOW, TENSION,

161
00:08:53,900 --> 00:08:57,504
{\an7}AND THAT CAUSED TENSION
\h\hWITH TSAR AND SUJA,

162
00:08:57,537 --> 00:09:00,340
{\an7}AND THEY HAD A HUGE, HUGE FIGHT.

163
00:09:00,373 --> 00:09:03,309
{\an7}[GROANING]

164
00:09:03,343 --> 00:09:08,381
{\an7}\h\h\h\h\h\h\h\hNarrator:
\hSUJA BECOMES POSSESSIVE
OVER THE TWO LIONESSES...

165
00:09:08,415 --> 00:09:12,319
<font face="Monospace">{\an7}SCENT MARKING HIS TERRITORY.</font>

166
00:09:12,352 --> 00:09:14,187
{\an7}Kevin: I THINK WE ARE GOING
\h\h\h\hTO GO AHEAD WITH IT

167
00:09:14,220 --> 00:09:16,089
{\an7}\hAND JUST TAKE IT
A LITTLE BIT SLOWER

168
00:09:16,122 --> 00:09:18,491
{\an7}THAN WE INITIALLY ANTICIPATED.

169
00:09:18,525 --> 00:09:20,093
{\an7}ONCE WE DO THE ENTIRE RELEASE,

170
00:09:20,126 --> 00:09:22,729
{\an7}\h\hWE’RE GOING TO HAVE TO
MONITOR IT VERY CAREFULLY.

171
00:09:22,762 --> 00:09:24,597
<font face="Monospace">{\an7}FOR THE SAKE OF FORMING A PRIDE,</font>

172
00:09:24,631 --> 00:09:28,268
{\an7}IF THIS GOING TO CAUSE HAVOC,
THEN I’M NOT FOR DOING THAT.

173
00:09:28,301 --> 00:09:30,703
{\an7}I WOULD RATHER TRY
\h\hAND FIGURE OUT

174
00:09:30,737 --> 00:09:34,908
{\an7}HOW WE’RE GOING TO ACCOMMODATE
THEM AT THE NEW PLACE.

175
00:09:34,941 --> 00:09:39,245
{\an7}Narrator: THE LIONESSES
\h\hARE LEFT IN PEACE.

176
00:09:39,279 --> 00:09:40,981
{\an7}\h\h\hTHE NEXT WEEK
WILL PROVE CRITICAL

177
00:09:41,014 --> 00:09:43,850
<font face="Monospace">{\an7}\hTO SEE IF THE POTENTIAL
PRIDE MATES SETTLE DOWN.

178
00:09:51,891 --> 00:09:55,661
{\an7}AT DINOKENG, THE NEW ENCLOSURES
ARE HALF COMPLETED.

179
00:09:59,299 --> 00:10:03,570
{\an7}\h\h\hAND IN ONE OF THEM,
THERE’S AN EARLY ARRIVAL.

180
00:10:03,603 --> 00:10:07,107
{\an7}A 32-MONTH-OLD WILD MALE LION.

181
00:10:07,140 --> 00:10:09,342
{\an7}Kevin: WHERE’S HIS INJURIES?

182
00:10:09,375 --> 00:10:10,910
{\an7}Narrator: THE YOUNG MALE
\h\h\h\hHAS BEEN FIGHTING

183
00:10:10,944 --> 00:10:13,180
<font face="Monospace">{\an7}WITH ANOTHER WILD PRIDE.</font>

184
00:10:13,213 --> 00:10:14,614
{\an7}HE’S BEEN TRANQUILIZED

185
00:10:14,647 --> 00:10:16,249
{\an7}\h\hAND BROUGHT IN
FOR SAFETY REASONS

186
00:10:16,282 --> 00:10:18,651
{\an7}\h\h\h\hTO RECOVER
FROM HIS INJURIES.

187
00:10:18,685 --> 00:10:22,622
{\an7}BUT HIS BROTHER WASN’T SO LUCKY
AND DIED.

188
00:10:22,655 --> 00:10:24,090
{\an7}Kevin: THE TWO OLDER MALE LIONS

189
00:10:24,124 --> 00:10:26,860
{\an7}WERE OBVIOUSLY TRYING TO PUSH
\hOUT ANY OF THE YOUNGER GUYS</font>

190
00:10:26,893 --> 00:10:28,595
{\an7}OR GET RID OF THEM, SIMPLY,

191
00:10:28,628 --> 00:10:31,364
{\an7}\hBECAUSE IF YOU’RE
AN OLDER MALE LION

192
00:10:31,397 --> 00:10:33,132
{\an7}AND YOU COME ACROSS
\hTWO YOUNGER GUYS,

193
00:10:33,166 --> 00:10:34,467
{\an7}IT MAKES PERFECT SENSE

194
00:10:34,501 --> 00:10:36,436
{\an7}TO JUST ELIMINATE THEM
\h\hFROM THE GENE POOL,

195
00:10:36,469 --> 00:10:37,704
{\an7}BECAUSE THEN YOU DON’T HAVE
\h\h\h\h\h\h\h\h\hA PROBLEM

196
00:10:37,737 --> 00:10:39,639
<font face="Monospace">{\an7}OF THEM EVER SIRING YOUNG</font>

197
00:10:39,672 --> 00:10:42,875
{\an7}\h\h\hOR THEM EVER COMING AND
TAKING OVER A PRIDE FROM YOU.

198
00:10:47,380 --> 00:10:48,948
{\an7}Narrator: OVER THE LAST CENTURY,

199
00:10:48,982 --> 00:10:52,152
{\an7}WILD LION POPULATIONS
IN SUB-SAHARAN AFRICA

200
00:10:52,185 --> 00:10:54,788
{\an7}HAVE BEEN DECIMATED.

201
00:10:54,821 --> 00:10:56,656
{\an7}ALTHOUGH THERE ARE
\h\hDISCREPANCIES,

202
00:10:56,689 --> 00:10:59,192
{\an7}SOME ESTIMATES SAY
\h\hFROM THE 1950s</font>

203
00:10:59,225 --> 00:11:02,995
{\an7}THE ENTIRE LION POPULATION
\h\h\hHAS DECLINED BY HALF.

204
00:11:03,029 --> 00:11:07,600
{\an7}\h\hOTHER ESTIMATES
ARE AS HIGH AS 95%.

205
00:11:07,634 --> 00:11:09,936
{\an7}\h\h\h\h\h\h\hTRAGICALLY,
SOME ESTIMATES NOW STAND

206
00:11:09,969 --> 00:11:13,172
{\an7}\hAT AROUND 20,000
REMAINING ANIMALS.

207
00:11:15,942 --> 00:11:18,678
{\an7}\h\h\hAS THIS LION IS PART
OF A REINTRODUCTION PROGRAM

208
00:11:18,711 --> 00:11:20,379
<font face="Monospace">{\an7}TO THE DINOKENG RESERVE,</font>

209
00:11:20,413 --> 00:11:24,050
{\an7}THE DECISION WAS MADE
\h\h\h\hTO INTERVENE.

210
00:11:24,083 --> 00:11:26,452
{\an7}Kevin: THE INTERESTING QUESTION
THAT PEOPLE ARE GOING TO ASK IS

211
00:11:26,486 --> 00:11:31,358
{\an7}\h\h\h\hWHY ARE WE INTERFERING
WITH A LION THAT’S IN THE WILD?

212
00:11:31,391 --> 00:11:33,326
{\an7}EACH LION THAT’S REINTRODUCED

213
00:11:33,359 --> 00:11:36,429
{\an7}IS ACTUALLY A PRECIOUS,
\h\hPRECIOUS COMMODITY.</font>

214
00:11:36,462 --> 00:11:38,197
{\an7}THAT’S THE REASON.

215
00:11:38,231 --> 00:11:41,534
{\an7}\h\h\hONCE THE LION POPULATIONS
HERE IN DINOKENG ARE ESTABLISHED

216
00:11:41,568 --> 00:11:44,004
{\an7}\h\h\hAND, YOU KNOW,
ARE QUITE SUSTAINABLE

217
00:11:44,037 --> 00:11:46,072
{\an7}AND THERE’S COHERENT
\h\hPRIDE STRUCTURES,

218
00:11:46,105 --> 00:11:48,074
{\an7}I’M PRETTY SURE THAT IF
\h\hSOMETHING LIKE THIS

219
00:11:48,107 --> 00:11:49,508
{\an7}HAPPENED IN THE FUTURE

220
00:11:49,542 --> 00:11:53,146
<font face="Monospace">{\an7}\h\h\h\hI DON’T THINK
THEY WOULD INTERVENE.

221
00:11:53,179 --> 00:11:55,982
{\an7}\h\hNarrator: ONCE HE RECOVERS,
THE YOUNG MALE WILL BE RELEASED

222
00:11:56,015 --> 00:11:57,917
{\an7}IN A DIFFERENT SECTION
\h\h\h\hOF THE RESERVE

223
00:11:57,951 --> 00:12:00,353
{\an7}\hAWAY FROM THE PRIDE
HE WAS FIGHTING WITH.

224
00:12:00,386 --> 00:12:01,587
{\an7}\h\hKevin: YOU KNOW,
LIONS ARE TOUGH, EH,

225
00:12:01,621 --> 00:12:02,856
{\an7}AND THEY’RE RESILIENT,

226
00:12:02,889 --> 00:12:04,724
<font face="Monospace">{\an7}\h\h\hAND I THINK HE’S
GOING TO BE JUST FINE.

227
00:12:04,757 --> 00:12:08,160
{\an7}\h\h\h\hHE’S GOING TO BE ABLE
TO RECUPERATE AND, YOU KNOW,

228
00:12:08,194 --> 00:12:09,328
{\an7}HOPEFULLY IN A COUPLE OF WEEKS

229
00:12:09,362 --> 00:12:11,364
{\an7}WE CAN JUST RELEASE HIM
\h\h\h\hINTO THIS AREA

230
00:12:11,397 --> 00:12:13,199
{\an7}AND HE CAN GET ON WITH HIS LIFE.

231
00:12:13,233 --> 00:12:15,669
{\an7}\hI’M GOING TO LEAVE YOU
AND LOVE YOU, KEEP WELL.

232
00:12:15,702 --> 00:12:17,170
<font face="Monospace">{\an7}BYE-BYE.</font>

233
00:12:23,643 --> 00:12:24,978
{\an7}Narrator: IT’S A BIG DAY

234
00:12:25,011 --> 00:12:29,449
{\an7}FOR 18-MONTH-OLD HYENA BROTHERS
LUKE AND NYEBA.

235
00:12:29,482 --> 00:12:31,250
{\an7}HAVING GROWN UP IN A NURSERY,

236
00:12:31,284 --> 00:12:34,821
{\an7}\h\h\h\h\hTHEY’RE GOING TO JOIN
ADULT HYENAS FOR THE FIRST TIME.

237
00:12:34,854 --> 00:12:36,789
{\an7}Kevin: AH AH, BONGO!

238
00:12:38,791 --> 00:12:41,694
{\an7}\h\h\hNarrator: HYENAS HAVE
A STRICT SOCIAL HIERARCHY.</font>

239
00:12:41,728 --> 00:12:44,731
{\an7}\h\h\h\hINDIVIDUALS ARE RANKED
BY THEIR STATUS WITHIN THE CLAN,

240
00:12:44,764 --> 00:12:48,901
{\an7}FROM THE MOST SUBMISSIVE
\h\h\h\hTO THE DOMINANT.

241
00:12:48,935 --> 00:12:52,005
{\an7}\h\hHIGHLY GREGARIOUS,
THEY USE BODY LANGUAGE

242
00:12:52,038 --> 00:12:53,673
{\an7}AND A COMPLEX RANGE OF SOUNDS

243
00:12:53,706 --> 00:12:57,543
{\an7}TO COMMUNICATE THEIR RANK AND
REAFFIRM THEIR SOCIAL STATUS.

244
00:12:57,577 --> 00:13:02,482
<font face="Monospace">{\an7}[GROWLING]</font>

245
00:13:02,515 --> 00:13:06,919
{\an7}LUKE AND NYEBA WILL BE JOINING
A CLAN OF MALES...

246
00:13:06,953 --> 00:13:11,391
{\an7}\h\h\h\hIN THIS CASE LED
BY DOMINANT HYENA BONGO.

247
00:13:11,424 --> 00:13:13,459
{\an7}Kevin: WE ARE EXPECTING
\hA BIT OF EAR BITING,

248
00:13:13,493 --> 00:13:16,429
{\an7}NECK PULLING, FUR FLYING.

249
00:13:16,462 --> 00:13:19,298
{\an7}\h\hHE IS A MEAN GUY,
BUT IF IT GOES WELL,

250
00:13:19,332 --> 00:13:21,234
<font face="Monospace">{\an7}THEN THE REST OF THE CLAN
\hSHOULDN’T BE A PROBLEM.

251
00:13:21,267 --> 00:13:23,736
{\an7}BECAUSE IF HE IS ACCEPTING--

252
00:13:23,770 --> 00:13:25,138
{\an7}HEY, IF YOU’RE ACCEPTING,

253
00:13:25,171 --> 00:13:28,541
{\an7}\hTHEN THE REST ARE GOING
TO FOLLOW SUIT, WE HOPE.

254
00:13:28,574 --> 00:13:31,343
{\an7}Narrator: BONGO HAS ALREADY BEEN
INTRODUCED TO LUKE AND NYEBA

255
00:13:31,377 --> 00:13:34,080
{\an7}THROUGH THE BARS OF A CAGE.

256
00:13:34,113 --> 00:13:36,916
<font face="Monospace">{\an7}BUT NOW THEY’RE GOING TO BE
\h\h\h\h\hLET OUT TOGETHER.

257
00:13:36,949 --> 00:13:40,152
{\an7}AND THE ONLY WAY TO SORT OUT
\h\h\h\h\hTHEIR PECKING ORDER

258
00:13:40,186 --> 00:13:41,988
{\an7}IS HYENA STYLE.

259
00:13:42,021 --> 00:13:43,623
{\an7}Kevin: IT’S A LITTLE BIT
\h\h\h\h\hHEART-WRENCHING

260
00:13:43,656 --> 00:13:46,058
{\an7}\h\h\h\h\hBECAUSE YOU KNOW
THAT THEY ARE GOING TO GET

261
00:13:46,092 --> 00:13:48,995
{\an7}\h\h\hA FAIR BEATING
AND AMOUNT OF ABUSE,</font>

262
00:13:49,028 --> 00:13:51,264
{\an7}BUT IT’S ABSOLUTELY NECESSARY
\h\h\h\h\h\h\h\h\h\hFOR THEM

263
00:13:51,297 --> 00:13:53,633
{\an7}TO FIND THEIR PLACE
\h\h\hIN THIS CLAN,

264
00:13:53,666 --> 00:13:55,935
{\an7}AND YEAH, WE JUST HOPE
\h\h\h\h\hIT GOES WELL.

265
00:13:55,968 --> 00:13:57,169
{\an7}OK, SO GOOD LUCK...

266
00:13:57,203 --> 00:13:58,204
{\an7}[KISS]

267
00:13:58,237 --> 00:14:00,372
{\an7}AND YOU. [KISS]

268
00:14:00,406 --> 00:14:03,209
{\an7}YOU’RE GOING TO BE GOOD,
YOU’RE GOING TO BE FINE.</font>

269
00:14:03,242 --> 00:14:05,010
{\an7}[DOOR CLATTERS]

270
00:14:09,182 --> 00:14:12,686
{\an7}[SHRIEKING]

271
00:14:12,719 --> 00:14:15,088
{\an7}\h\h\hYOU KNOW, NO MATTER
HOW MANY TIMES I DO THIS

272
00:14:15,121 --> 00:14:20,059
{\an7}\h\hIT’S NEVER EASY TO WATCH,
IT’S REALLY HEART-WRENCHING.

273
00:14:20,093 --> 00:14:24,164
{\an7}\hNarrator: RIGHT AWAY,
BONGO SINGLES OUT LUKE.

274
00:14:24,197 --> 00:14:25,632
{\an7}Kevin: WHAT BONGO’S
\hDONE IMMEDIATELY

275
00:14:25,665 --> 00:14:28,134
<font face="Monospace">{\an7}\h\h\h\h\h\h\hIS HE’S GONE
FOR THE MOST DOMINANT MALE

276
00:14:28,167 --> 00:14:31,203
{\an7}AND HE IS SHOWING HIM
\h\h\h\h\hWHO’S BOSS.

277
00:14:31,237 --> 00:14:33,706
{\an7}\h\h\h\h\h\h\hNarrator:
WHILE IT LOOKS VIOLENT,
THERE’S LITTLE DAMAGE.

278
00:14:33,740 --> 00:14:35,709
{\an7}[SHRIEKING]

279
00:14:35,742 --> 00:14:38,478
{\an7}Kevin: SO FAR IT’S JUST
NECK BITING, SO IT’S...

280
00:14:38,511 --> 00:14:39,679
{\an7}[SHRIEKING]

281
00:14:39,712 --> 00:14:42,215
<font face="Monospace">{\an7}IT’S A LOT MORE NOISE
\hTHAN ANYTHING ELSE.

282
00:14:42,248 --> 00:14:45,384
{\an7}[HOWLING]

283
00:14:45,418 --> 00:14:47,520
{\an7}\hNarrator: HE LOCKS
ONTO LUKE’S THICK FUR

284
00:14:47,553 --> 00:14:50,523
{\an7}AND ASSERTS HIS DOMINANCE.

285
00:14:50,556 --> 00:14:53,192
{\an7}Kevin: HE’S SUBMITTED, BOY,
\h\h\h\h\h\h\h\h\hCOME ON.

286
00:14:53,226 --> 00:14:55,729
{\an7}Narrator: IT SERVES AS A WARNING
TO LUKE’S BROTHER, NYEBA,

287
00:14:55,762 --> 00:14:59,232
<font face="Monospace">{\an7}NOT TO TRY HIS LUCK.</font>

288
00:14:59,265 --> 00:15:01,701
{\an7}\h\hKevin: WHAT WORRIED ME WAS
THAT I THOUGHT HE HAD HIS EAR,

289
00:15:01,734 --> 00:15:04,604
{\an7}AND IF HE BITES HIS EAR HE CAN
LITERALLY BITE HIS EAR OFF.

290
00:15:05,705 --> 00:15:09,042
{\an7}[HOWLING]

291
00:15:11,644 --> 00:15:15,314
{\an7}\h\h\h\h\h\h\hNarrator:
LUKE TOTALLY SUBMITS...

292
00:15:15,348 --> 00:15:19,519
{\an7}\hWHILE BROTHER NYEBA
KEEPS A LOW PROFILE.

293
00:15:19,552 --> 00:15:22,221
<font face="Monospace">{\an7}THE INITIAL AGGRESSION
\h\h\h\hSOON SUBSIDES,

294
00:15:22,255 --> 00:15:25,058
{\an7}AND BONGO BEGINS TO RELAX.

295
00:15:28,394 --> 00:15:33,199
{\an7}LUKE IS EVEN BRAVE ENOUGH
\hTO MARK HIS TERRITORY.

296
00:15:33,232 --> 00:15:35,434
{\an7}Kevin: WHAT’S ALSO GOOD
IS HE’S GETTING TIRED,

297
00:15:35,468 --> 00:15:38,538
{\an7}\h\h\h\h\hSO BONGO IS
RUNNING OUT OF STEAM.

298
00:15:38,571 --> 00:15:40,239
{\an7}[GROANING]

299
00:15:40,273 --> 00:15:42,642
<font face="Monospace">{\an7}YES, IT’S A GOOD THING.</font>

300
00:15:42,675 --> 00:15:44,510
{\an7}[HOWLING]

301
00:15:44,544 --> 00:15:46,346
{\an7}\h\h\h\h\h\h\h\hNarrator:
HAVING PROVEN HIS STATUS,

302
00:15:46,379 --> 00:15:49,115
{\an7}BONGO RETIRES FOR A COOL-DOWN.

303
00:15:49,148 --> 00:15:51,183
{\an7}\h\h\h\hKevin: YOU THOUGHT
YOU WOULD JUST BEAT THEM UP

304
00:15:51,217 --> 00:15:52,919
{\an7}AND IT WOULD BE OVER QUICKLY?

305
00:15:52,952 --> 00:15:54,954
{\an7}THEY’RE PUTTING UP A GOOD FIGHT!

306
00:15:54,987 --> 00:15:56,088
<font face="Monospace">{\an7}YES.</font>

307
00:15:56,122 --> 00:15:59,359
{\an7}HE’S CALMED DOWN NICELY,
\h\h\h\h\hAND IN FACT...

308
00:15:59,392 --> 00:16:00,593
{\an7}OK.

309
00:16:00,626 --> 00:16:02,361
{\an7}HE’S NOT EVEN INTERESTED
\h\h\h\h\hIN HIM ANYMORE.

310
00:16:02,395 --> 00:16:03,730
{\an7}[HOWLING]

311
00:16:03,763 --> 00:16:05,732
{\an7}THIS HAS GONE WELL.

312
00:16:05,765 --> 00:16:07,934
{\an7}\hNarrator: WITH BONGO
SAFELY OUT OF THE WAY,

313
00:16:07,967 --> 00:16:11,471
<font face="Monospace">{\an7}\h\h\h\hIT’S LUKE’S TURN
FOR A WELL-DESERVED DIP.

314
00:16:11,504 --> 00:16:12,972
{\an7}\h\h\h\h\h\h\h\h\h\h\h\hKevin:
IT SEEMS HE’S THROUGH WITH YOU.

315
00:16:13,005 --> 00:16:15,174
{\an7}YOU’VE GOT NO INJURIES,
\h\h\h\h\hLET ME LOOK.

316
00:16:15,208 --> 00:16:16,543
{\an7}LET ME LOOK.

317
00:16:16,576 --> 00:16:20,280
{\an7}IT’S ABSOLUTELY AMAZING, THERE’S
NOT EVEN A DROP OF BLOOD.

318
00:16:20,313 --> 00:16:24,384
{\an7}\h\hNOW YOU CAN APPRECIATE
HOW AN ANIMAL OF THIS SIZE</font>

319
00:16:24,417 --> 00:16:25,618
{\an7}CAN COMPETE WITH A LION.

320
00:16:25,651 --> 00:16:27,953
{\an7}\hI MEAN, THEY’RE
INCREDIBLY TOUGH,

321
00:16:27,987 --> 00:16:29,722
{\an7}BUT WHAT’S EVEN MORE AMAZING

322
00:16:29,755 --> 00:16:32,458
{\an7}\h\h\h\h\h\hIS THEY’RE
EXTREMELY INTELLIGENT.

323
00:16:34,293 --> 00:16:36,929
{\an7}\h\h\hNarrator: THE ANIMALS
WILL BE CLOSELY MONITORED.

324
00:16:36,963 --> 00:16:38,264
{\an7}IF THEY SETTLE WELL,

325
00:16:38,297 --> 00:16:40,466
<font face="Monospace">{\an7}THEY’LL SPEND INCREASING AMOUNTS
OF TIME TOGETHER

326
00:16:40,500 --> 00:16:43,570
{\an7}TO FORM A COHESIVE UNIT

327
00:16:43,603 --> 00:16:46,739
{\an7}BEFORE THE REST OF THE CLAN
\h\h\h\h\h\hARE INTRODUCED.

328
00:16:49,976 --> 00:16:52,278
{\an7}\h\h\hTHERE’S STILL NO NEWS
ON WHETHER THE APPLICATION

329
00:16:52,311 --> 00:16:54,079
{\an7}\hFOR THE PERMITS
TO MOVE THE LIONS

330
00:16:54,113 --> 00:16:56,449
{\an7}HAS BEEN ACCEPTED.

331
00:16:56,482 --> 00:16:58,150
<font face="Monospace">{\an7}THE DEADLINE IS FAST APPROACHING</font>

332
00:16:58,184 --> 00:17:02,755
{\an7}WHEN THEY WILL NEED TO VACATE
\h\h\h\h\hTHEIR CURRENT HOME.

333
00:17:02,788 --> 00:17:06,925
{\an7}Kevin: THERE’S THE KINGDOM,
\hAND THERE’S THE NEW FARM.

334
00:17:06,959 --> 00:17:09,895
{\an7}\h\hNarrator: KEVIN IS MEETING
WITH ASSISTANT RODNEY NOMBEKANA

335
00:17:09,929 --> 00:17:14,033
{\an7}TO DISCUSS THE BEST ROUTE
\h\hTO THE NEW SANCTUARY

336
00:17:14,066 --> 00:17:17,069
<font face="Monospace">{\an7}AND HOW MANY TRIPS THEY WILL
\h\hNEED TO MOVE THE ANIMALS.

337
00:17:17,103 --> 00:17:20,039
{\an7}\h\h\h\h\h\hRodney Nombekana:
\h\h\h\hMAYBE WE SHOULD TAKE
MUCH MORE OF A QUIETER ROUTE.

338
00:17:20,072 --> 00:17:21,473
{\an7}Narrator: TO MINIMIZE STRESS,

339
00:17:21,507 --> 00:17:24,143
{\an7}\h\hTHEY NEED TO AVOID
THE HEAT OF THE DAY...

340
00:17:24,176 --> 00:17:25,711
{\an7}AND THE WORST OF THE TRAFFIC.

341
00:17:25,745 --> 00:17:26,913
{\an7}Kevin: SO THAT WOULD BE
\h\h\h\h\hA ROUTE, TOO.</font>

342
00:17:26,946 --> 00:17:27,847
{\an7}Rodney: YEAH.

343
00:17:27,880 --> 00:17:29,215
{\an7}Kevin: OK. LET’S GO THROUGH

344
00:17:29,248 --> 00:17:30,916
{\an7}\h\h\h\h\hHOW MANY TRIPS
IT’S ACTUALLY GONNA TAKE.

345
00:17:30,950 --> 00:17:34,253
{\an7}ENCLOSURE 1, SIAM’S GROUP.
\h\h\hWHO’S GOING TO LOAD?

346
00:17:34,287 --> 00:17:36,122
{\an7}Rodney: THEY’RE ALL GOING LOAD,
ALL GOING TO LOAD...

347
00:17:36,155 --> 00:17:37,156
{\an7}Kevin: EXCEPT?

348
00:17:37,189 --> 00:17:39,191
<font face="Monospace">{\an7}Rodney: PROBABLY.
\hKevin: EXCEPT?

349
00:17:39,225 --> 00:17:41,227
{\an7}Rodney: PROBABLY TWO TRIPS
\hINSTEAD OF ONLY ONE TRIP.

350
00:17:41,260 --> 00:17:44,163
{\an7}Kevin: OK.

351
00:17:44,196 --> 00:17:46,165
{\an7}Narrator: LARGE PREDATORS
\h\h\hARE USUALLY SEDATED

352
00:17:46,198 --> 00:17:48,400
{\an7}DURING TRANSPORT.

353
00:17:48,434 --> 00:17:51,938
{\an7}BUT THEY ARE NOTORIOUSLY
DIFFICULT TO TRANQUILIZE.

354
00:17:51,971 --> 00:17:54,106
{\an7}\h\hTHE DOSE CAN BE
HARD TO CALCULATE,</font>

355
00:17:54,140 --> 00:17:55,341
{\an7}LEAVING THEM SUSCEPTIBLE

356
00:17:55,374 --> 00:17:58,077
{\an7}TO REGAINING CONSCIOUSNESS
\h\h\h\h\h\h\h\hTOO EARLY.

357
00:17:58,110 --> 00:18:01,847
{\an7}\h\h\hAND THE DRUGS CAN LEAD
TO CHOKING AND HEART FAILURE.

358
00:18:01,881 --> 00:18:05,017
{\an7}\h\h\hBUT KEVIN HAS
A UNIQUE ADVANTAGE.

359
00:18:05,051 --> 00:18:07,186
{\an7}Kevin: HELLO.

360
00:18:07,219 --> 00:18:08,587
{\an7}\h\h\h\h\h\h\h\h\hNarrator:
THE LIONS TRUST HIM ENOUGH</font>

361
00:18:08,621 --> 00:18:10,923
{\an7}TO JUMP RIGHT INTO A VAN.

362
00:18:10,957 --> 00:18:13,193
{\an7}Kevin: WOO, IT’S HOT IN THERE.

363
00:18:13,225 --> 00:18:14,493
{\an7}BACK UP, GUYS!
\h\h[WHISTLES]

364
00:18:14,527 --> 00:18:16,329
{\an7}Narrator: MEANING THEY WON’T
\h\h\hNEED TO BE TRANQUILIZED

365
00:18:16,362 --> 00:18:19,465
{\an7}\h\hWHEN THEY MOVE
TO THEIR NEW HOME.

366
00:18:19,498 --> 00:18:21,700
{\an7}TODAY, A COALITION OF FIVE MALES

367
00:18:21,734 --> 00:18:24,804
<font face="Monospace">{\an7}\h\h\h\h\hIS BEING RELEASED
INTO A DIFFERENT ENCLOSURE.

368
00:18:27,306 --> 00:18:29,942
{\an7}THE CHANGE OF SCENE GIVES THEM
A CHANCE TO EXPLORE

369
00:18:29,976 --> 00:18:33,780
{\an7}AND ACT OUT NATURAL BEHAVIORS
\hAS THEY WOULD IN THE WILD.

370
00:18:36,949 --> 00:18:38,217
{\an7}Kevin: IT’S ALWAYS SUCH FUN

371
00:18:38,250 --> 00:18:39,818
{\an7}\hTO SEE THEM WHEN
THEY FIRST COME IN,

372
00:18:39,852 --> 00:18:42,288
{\an7}BECAUSE THEY GET OUT THE VEHICLE

373
00:18:42,321 --> 00:18:45,224
<font face="Monospace">{\an7}\h\h\h\h\h\hAND THEY JUST START
SNIFFING AROUND AND EXPLORING,

374
00:18:45,257 --> 00:18:47,693
{\an7}BASICALLY SMELLING
\h\hALL THE SMELLS

375
00:18:47,727 --> 00:18:51,531
{\an7}FROM THE PREVIOUS GROUP
\hTHAT’S BEEN IN THERE.

376
00:18:51,564 --> 00:18:53,166
{\an7}HEY, BOY, YOU HAVING FUN?

377
00:18:53,199 --> 00:18:55,334
{\an7}HEY?

378
00:18:55,368 --> 00:18:57,103
{\an7}LOOK AT THAT, HUH?

379
00:18:57,136 --> 00:19:02,608
{\an7}♪

380
00:19:02,642 --> 00:19:04,144
<font face="Monospace">{\an7}THEIR SENSES ARE HEIGHTENED,</font>

381
00:19:04,176 --> 00:19:06,311
{\an7}BECAUSE THIS IS WHAT HAPPENS
\h\h\h\h\h\h\h\hIN THE WILD.

382
00:19:06,345 --> 00:19:08,214
{\an7}AND IN ORDER TO KEEP THEM
\h\h\h\h\h\hMENTALLY FIT

383
00:19:08,247 --> 00:19:12,785
{\an7}AND JUST PHYSICALLY FIT,
\h\hTHIS IS WHY WE DO IT.

384
00:19:12,818 --> 00:19:14,620
{\an7}WHEN YOU SEE THE LIONS
\hHERE AT THE KINGDOM,

385
00:19:14,654 --> 00:19:16,756
{\an7}YOU CAN ACTUALLY PHYSICALLY SEE

386
00:19:16,789 --> 00:19:19,825
<font face="Monospace">{\an7}\h\h\h\h\h\hTHE ENJOYMENT
THAT THEY GET OUT OF IT.

387
00:19:19,859 --> 00:19:22,362
{\an7}THEY HAVE AN ABSOLUTE BLAST.

388
00:19:25,831 --> 00:19:29,201
{\an7}Narrator: BACK AT THE HYENAS,
\h\hBONGO, THE DOMINANT MALE,

389
00:19:29,235 --> 00:19:34,674
{\an7}HAS FULLY ACCEPTED YOUNGSTERS
\h\h\h\h\h\h\hLUKE AND NYEBA.

390
00:19:34,707 --> 00:19:39,078
{\an7}\h\hNOW IT’S TIME TO RELEASE
A NEW MEMBER INTO THE CLAN...

391
00:19:39,111 --> 00:19:40,813
<font face="Monospace">{\an7}Kevin: GOOD BOY.</font>

392
00:19:40,846 --> 00:19:44,249
{\an7}\h\h\h\hNarrator: VINCI,
THE LOWEST-RANKING HYENA.

393
00:19:44,283 --> 00:19:48,721
{\an7}Kevin: OLD VINCI OVER HERE HAD
HIS EAR AND HIS TAIL BITTEN OFF

394
00:19:48,754 --> 00:19:51,290
{\an7}LITERALLY THE DAY HE WAS BORN.

395
00:19:51,323 --> 00:19:53,458
{\an7}WE KNEW THAT THE FEMALE
\h\h\hHAD HAD TWO CUBS.

396
00:19:53,492 --> 00:19:54,893
{\an7}VINCI’S A MALE.

397
00:19:54,927 --> 00:19:58,431
<font face="Monospace">{\an7}BECAUSE THEY WERE THE SAME SEX,
THE ONE DOMINATED THE OTHER.

398
00:19:58,464 --> 00:20:03,336
{\an7}\hAND BABY HYENAS ARE BORN WITH
A FULL SET OF DECIDUOUS TEETH,

399
00:20:03,369 --> 00:20:05,571
{\an7}THE CANINES AND THE INCISORS,

400
00:20:05,604 --> 00:20:09,007
{\an7}\h\h\h\hVERY CAPABLE
OF BITING AN EAR OFF,

401
00:20:09,041 --> 00:20:10,142
{\an7}AND THAT’S EXACTLY
\h\hWHAT HAPPENED.

402
00:20:10,176 --> 00:20:12,679
{\an7}SO WE HAD TO INTERVENE,
AND WE HAND-RAISED HIM,</font>

403
00:20:12,712 --> 00:20:16,216
{\an7}\hAND HE’S A FANTASTIC ANIMAL,
HE’S GOT SUCH A LOVELY NATURE.

404
00:20:16,248 --> 00:20:21,086
{\an7}♪

405
00:20:21,120 --> 00:20:22,922
{\an7}\h\h\h\h\h\h\h\h\h\h\hNarrator:
IF THE INTRODUCTION GOES WELL,

406
00:20:22,955 --> 00:20:24,857
{\an7}\h\hKEVIN WILL SEND
THEIR LEADER BONGO

407
00:20:24,890 --> 00:20:27,126
{\an7}BACK TO JOIN THE GANG.

408
00:20:29,462 --> 00:20:32,265
{\an7}\hKevin: IT’S VERY DIFFICULT
TO TELL AGGRESSION WITH VINCI</font>

409
00:20:32,298 --> 00:20:34,801
{\an7}\h\hBECAUSE HE’S GOT NO TAIL,
IN CASE YOU HAVEN’T NOTICED,

410
00:20:34,834 --> 00:20:36,602
{\an7}AND ALSO NO EAR.

411
00:20:36,635 --> 00:20:38,203
{\an7}AND YOU CAN SORT OF MAKE OUT

412
00:20:38,237 --> 00:20:40,806
{\an7}\h\hA LITTLE STUMPY
GOING UP AND DOWN.

413
00:20:40,840 --> 00:20:43,743
{\an7}BUT THEY CAN TELL, I MEAN,
\h\h\hTHESE HYENAS CAN TELL

414
00:20:43,776 --> 00:20:45,044
{\an7}[SNAPS] LIKE THAT,

415
00:20:45,077 --> 00:20:47,212
<font face="Monospace">{\an7}AND THERE IS ABSOLUTELY
\h\hNO AGGRESSION HERE,

416
00:20:47,246 --> 00:20:49,148
{\an7}ALTHOUGH NYEBA, AS YOU CAN SEE,

417
00:20:49,181 --> 00:20:53,419
{\an7}IS STILL A LITTLE BIT NERVOUS
\hABOUT THE WHOLE SITUATION.

418
00:20:53,452 --> 00:20:57,423
{\an7}\h\h\h\h[BABY TALK]
THERE’S A GOOD BOY.
HELLO, MY FRIENDS.

419
00:20:57,456 --> 00:20:58,924
{\an7}THIS IS WONDERFUL.

420
00:20:58,958 --> 00:21:01,761
{\an7}THERE’S NOT EVEN VOCALIZATIONS,
WHICH IS GREAT,

421
00:21:01,794 --> 00:21:04,730
<font face="Monospace">{\an7}\h\h\h\h\hTHERE’S NO SQUEALING,
THERE’S NO DEEP GUTTURAL TONES,

422
00:21:04,764 --> 00:21:06,599
{\an7}THERE’S NO INTIMIDATION.

423
00:21:06,632 --> 00:21:08,467
{\an7}EH, VINCI?

424
00:21:08,501 --> 00:21:09,569
{\an7}I THOUGHT YOU’D COME OUT HERE

425
00:21:09,602 --> 00:21:11,504
{\an7}\h\hAND TRY AND GET
A LITTLE BIT HIGHER

426
00:21:11,537 --> 00:21:15,441
{\an7}IN THE CORPORATE LADDER
\h\hOF THE HYENA WORLD.

427
00:21:15,474 --> 00:21:19,678
{\an7}\h\h\h\h\h\h\h[BABY TALK]
YOU’RE A BEAUTIFUL HYENA.
\h\h\h\h\h\hYES, YOU ARE!

428
00:21:19,712 --> 00:21:21,581
{\an7}Narrator: WITH THE THREE
\h\h\h\hGETTING ON WELL,

429
00:21:21,614 --> 00:21:25,985
{\an7}KEVIN DECIDES TO RELEASE BONGO,
THE DOMINANT MALE.

430
00:21:26,018 --> 00:21:29,822
{\an7}Kevin: HELLO, BONGOLOOZA!
\h\h\hHELLO, BONGOLOOZA!

431
00:21:32,091 --> 00:21:34,760
{\an7}Narrator: IT’S HARD TO PREDICT
HOW HE WILL REACT...

432
00:21:34,794 --> 00:21:38,264
{\an7}OR HOW AGGRESSIVE HE WILL BE.

433
00:21:38,297 --> 00:21:39,932
<font face="Monospace">{\an7}Kevin: OH, VINCI.</font>

434
00:21:42,401 --> 00:21:44,336
{\an7}[LAUGHS]

435
00:21:44,370 --> 00:21:47,473
{\an7}OK, SO FAR, SO FAR GOOD.

436
00:21:47,506 --> 00:21:51,243
{\an7}[GROANING]

437
00:21:51,277 --> 00:21:54,447
{\an7}Narrator: BONGO RAISES HIS TAIL
IN A DOMINANT DISPLAY

438
00:21:54,480 --> 00:21:57,650
{\an7}\hJUST TO REMIND VINCI
HE’S STILL NUMBER ONE.

439
00:21:57,683 --> 00:21:59,952
{\an7}\h\h\h\h\h\hKevin: VINCI,
HE’S A LITTLE BIT UNSURE,

440
00:21:59,985 --> 00:22:01,887
<font face="Monospace">{\an7}SO HE KIND OF DOES SOMETHING,</font>

441
00:22:01,921 --> 00:22:06,459
{\an7}AND THEN HE LOOKS BACK AT BONGO
FOR RECOGNITION AND REASSURANCE,

442
00:22:06,492 --> 00:22:11,230
{\an7}AS IF TO SAY, "IS THIS GOOD?
\h\h\h\h\hSHOULD I DO MORE?"

443
00:22:11,263 --> 00:22:16,735
{\an7}\h\h\h\hLOOK. THIS IS THE WAY
IT SHOULD BE: NO AGGRESSION.

444
00:22:16,769 --> 00:22:19,538
{\an7}\h\h\hIT’S REALLY GONE WELL,
THERE’S BEEN NO NECK BITING,

445
00:22:19,572 --> 00:22:20,706
<font face="Monospace">{\an7}THERE’S BEEN A LITTLE BIT
\h\h\h\h\h\hOF TALKING...

446
00:22:20,739 --> 00:22:21,673
{\an7}[GROANING]

447
00:22:21,707 --> 00:22:24,009
{\an7}LIKE THAT--

448
00:22:24,043 --> 00:22:28,714
{\an7}\h\hUM, AND THAT TALKING CAN GO
FROM THAT TO A GIGGLE TO FRENZY

449
00:22:28,747 --> 00:22:30,215
{\an7}IN A MATTER OF SECONDS,

450
00:22:30,249 --> 00:22:32,885
{\an7}JUST ONE WRONG TOUCH,
\h\h\hONE WRONG MOVE!

451
00:22:32,918 --> 00:22:34,119
{\an7}SO YOU’VE GOT TO BE
\h\h\hQUITE CAREFUL</font>

452
00:22:34,153 --> 00:22:36,088
{\an7}WHEN HE STARTS TO TALK
\h\h\h\h\h\hLIKE THAT.

453
00:22:36,121 --> 00:22:37,956
{\an7}[GROANING]

454
00:22:37,990 --> 00:22:39,258
{\an7}SO, IT’S GONE VERY WELL,

455
00:22:39,291 --> 00:22:40,559
{\an7}WE’RE GOING TO LEAVE THEM
\h\h\h\h\h\hALL TOGETHER

456
00:22:40,593 --> 00:22:42,328
{\an7}FOR THE REST OF THE DAY,

457
00:22:42,361 --> 00:22:47,366
{\an7}AND THEN WE’LL COME BACK LATER
AND SEE HOW IT’S GOING.

458
00:22:47,399 --> 00:22:50,202
<font face="Monospace">{\an7}Narrator: WITH THE INTRODUCTION
SO FAR A SUCCESS,

459
00:22:50,236 --> 00:22:53,473
{\an7}\h\h\h\hANOTHER THREE HYENAS
WILL BE GRADUALLY INTRODUCED

460
00:22:53,505 --> 00:22:55,007
{\an7}TO MAKE A NEW CLAN OF SEVEN.

461
00:22:55,040 --> 00:22:56,875
{\an7}Kevin: YA YA YA YA!

462
00:22:56,909 --> 00:22:58,577
{\an7}Narrator: IT’S IMPORTANT
\h\hTHEY FULLY INTEGRATE

463
00:22:58,611 --> 00:23:00,780
{\an7}\h\h\hBEFORE THE MOVE
TO THE NEW SANCTUARY

464
00:23:00,813 --> 00:23:04,684
<font face="Monospace">{\an7}IF THEY ARE TO SETTLE IN
\h\h\h\h\h\hSUCCESSFULLY.

465
00:23:04,717 --> 00:23:07,119
{\an7}ANY INFIGHTING COULD BE
\h\h\hEASILY AGGRAVATED

466
00:23:07,152 --> 00:23:09,554
{\an7}BY A CHANGE OF ROUTINE
\h\h\h\hAND TERRITORY.

467
00:23:09,588 --> 00:23:12,257
{\an7}Kevin: HEY, HEY, HEY,
\h\h\hCOME ON, BONGO!

468
00:23:13,425 --> 00:23:14,726
{\an7}[LAUGHS]

469
00:23:19,198 --> 00:23:20,566
{\an7}Narrator: TWO WEEKS HAVE PASSED

470
00:23:20,599 --> 00:23:24,236
<font face="Monospace">{\an7}SINCE MEG AND AMY WERE FIRST
\hINTRODUCED TO THREE MALES--

471
00:23:24,270 --> 00:23:26,939
{\an7}TSAR, BONGANI AND SUJA.

472
00:23:26,972 --> 00:23:29,708
{\an7}\hBUT THE INTRODUCTION
DID NOT GO AS PLANNED,

473
00:23:29,742 --> 00:23:32,345
{\an7}LEADING TO A FINAL DECISION.

474
00:23:32,378 --> 00:23:36,382
{\an7}\h\h\h\hKevin: SO MEG AND AMY
ARE BOTH ON THEIR OWN AGAIN.

475
00:23:36,415 --> 00:23:39,151
{\an7}WE’VE DECIDED THAT MIXING THEM
WITH THE THREE BOYS

476
00:23:39,184 --> 00:23:40,886
<font face="Monospace">{\an7}IS NOT GOING TO WORK.</font>

477
00:23:40,920 --> 00:23:44,123
{\an7}WE TRIED EVERYTHING, THE BOYS
\h\hJUST DIDN’T SETTLE DOWN.

478
00:23:44,156 --> 00:23:46,625
{\an7}[SNARLING]

479
00:23:46,659 --> 00:23:48,661
{\an7}\h\h\h\h\h\h\h\hTHEY WERE
AT EACH OTHER’S THROATS.

480
00:23:48,694 --> 00:23:51,664
{\an7}[SNARLING]

481
00:23:51,697 --> 00:23:53,098
{\an7}MEG AND AMY WERE PETRIFIED.

482
00:23:53,132 --> 00:23:55,134
{\an7}[GROWLING]

483
00:23:55,167 --> 00:23:57,503
<font face="Monospace">{\an7}SLOWLY, SLOWLY, SLOWLY,
\h\h\h\hSLOWLY, SLOWLY.

484
00:23:57,536 --> 00:23:59,538
{\an7}Narrator: NOW THEY’RE BACK
\h\h\h\h\h\h\hON THEIR OWN.

485
00:23:59,571 --> 00:24:01,706
{\an7}\hIT MEANS THAT KEVIN’S
RELATIONSHIP WITH THEM

486
00:24:01,740 --> 00:24:03,875
{\an7}IS NO LONGER UNDER THREAT.

487
00:24:03,909 --> 00:24:05,144
{\an7}[LAUGHING]

488
00:24:05,177 --> 00:24:06,612
{\an7}\h\h\h\h\h\h\h\h\h\h\hKevin:
WHAT WAS REALLY AMAZING WAS,

489
00:24:06,645 --> 00:24:09,214
<font face="Monospace">{\an7}THE MOMENT WE TOOK MEG AND AMY
OUT OF THEIR ENCLOSURE

490
00:24:09,248 --> 00:24:10,850
{\an7}WHERE THEY WERE,
\hFROM THE BOYS,

491
00:24:10,883 --> 00:24:13,619
{\an7}\h\h\h\h\hAND PUT THEM BACK
IN THEIR NORMAL ENCLOSURE,

492
00:24:13,652 --> 00:24:16,054
{\an7}THE ATTITUDE CHANGE
\hWAS UNBELIEVABLE.

493
00:24:16,088 --> 00:24:18,157
{\an7}\h\h\h\h\hIT WAS ALMOST
AS IF THEY WERE SAYING,

494
00:24:18,190 --> 00:24:19,892
{\an7}\h\h"GUYS, THANK YOU,
THANK YOU, THANK YOU</font>

495
00:24:19,925 --> 00:24:21,193
{\an7}FOR TAKING US OUT OF THERE,

496
00:24:21,226 --> 00:24:24,763
{\an7}\h\h\hIT WAS THE BEST THING
YOU COULD EVER HAVE DONE!"

497
00:24:24,797 --> 00:24:26,832
{\an7}ARE YOU SO HAPPY
\h\h\hTO SEE ME?

498
00:24:26,865 --> 00:24:29,234
{\an7}I’M VERY HAPPY TO SEE YOU, TOO,
MY SWEETIE.

499
00:24:29,268 --> 00:24:31,137
{\an7}AND THEY WERE BACK IMMEDIATELY
LIKE A LIGHT SWITCH

500
00:24:31,170 --> 00:24:34,340
{\an7}BACK TO THEIR BEAUTIFUL,
\h\h\h\h\hLOVING NATURES.</font>

501
00:24:37,109 --> 00:24:38,611
{\an7}Narrator: IT MEANS KEVIN
\h\h\hWILL HAVE TO BUILD

502
00:24:38,644 --> 00:24:43,282
{\an7}ANOTHER ENCLOSURE FOR THEM
\h\h\h\hAT THE NEW RESERVE.

503
00:24:43,315 --> 00:24:47,452
{\an7}Kevin: THESE TWO GIRLS HAVE JUST
COST ME A WHOLE LOT MORE MONEY.

504
00:24:47,486 --> 00:24:51,023
{\an7}BUT I’LL TELL YOU SOMETHING:
THEY ARE ABSOLUTELY WORTH IT.

505
00:24:51,056 --> 00:24:56,161
{\an7}♪

506
00:24:56,195 --> 00:24:59,165
<font face="Monospace">{\an7}COME, GIRL!</font>

507
00:24:59,198 --> 00:25:01,167
{\an7}\h\h\hNarrator: UNDERSTANDING
THE DIFFERENT CHARACTERISTICS

508
00:25:01,200 --> 00:25:02,835
{\an7}AND MOODS OF HIS ANIMALS

509
00:25:02,868 --> 00:25:06,238
{\an7}IS KEY TO MAKING THE MOVE
\h\h\h\h\h\h\hA SUCCESS.

510
00:25:06,271 --> 00:25:08,006
{\an7}Kevin: THERE’S MY GOOD BOY.

511
00:25:08,040 --> 00:25:09,275
{\an7}HELLO, MY GIRLIES.

512
00:25:09,308 --> 00:25:11,410
{\an7}YES, YOU’RE A BIG BOY!

513
00:25:11,443 --> 00:25:12,945
<font face="Monospace">{\an7}Narrator: BUT TO DO THAT
\h\h\hTAKES A GREAT DEAL

514
00:25:12,978 --> 00:25:14,980
{\an7}OF TIME AND DEDICATION...

515
00:25:15,014 --> 00:25:16,949
{\an7}Kevin: LET’S ALL LIE DOWN HERE.
COME. COME LIE DOWN HERE.

516
00:25:16,982 --> 00:25:18,517
{\an7}LET’S ALL LIE DOWN HERE.

517
00:25:18,550 --> 00:25:23,121
{\an7}\h\h\h\h\h\h\h\h\hNarrator:
\h...AND IS THE FOUNDATION
FOR KEVIN’S BOND WITH THEM.

518
00:25:23,155 --> 00:25:24,857
{\an7}Kevin: I THINK PEOPLE NEED
\h\hTO ACTUALLY UNDERSTAND</font>

519
00:25:24,890 --> 00:25:28,794
{\an7}\h\hIS THAT THE REASON
WHY THEY CAN’T SIT HERE

520
00:25:28,827 --> 00:25:31,496
{\an7}WITH THIS PARTICULAR GROUP
\h\h\hOF LIONS IS SIMPLE--

521
00:25:31,530 --> 00:25:34,133
{\an7}THEY DON’T HAVE A RELATIONSHIP,
AND THAT’S WHAT IT’S ABOUT.

522
00:25:34,166 --> 00:25:37,136
{\an7}\h\h\h\hSOCIAL ANIMALS ALL HAVE
A RELATIONSHIP WITH EACH OTHER,

523
00:25:37,169 --> 00:25:41,573
{\an7}\h\hAND THE RELATIONSHIP VARIES
FROM INDIVIDUAL TO INDIVIDUAL,</font>

524
00:25:41,607 --> 00:25:45,244
{\an7}BUT THE...I SUPPOSE
\hTHE, THE, THE...

525
00:25:45,277 --> 00:25:48,046
{\an7}OW! [LAUGHS]

526
00:25:48,080 --> 00:25:49,815
{\an7}I SUPPOSE THE EXAMPLE TO USE

527
00:25:49,848 --> 00:25:52,351
{\an7}\h\h\h\hWOULD BE IF SOMEBODY
WHO DOESN’T KNOW THESE LIONS

528
00:25:52,384 --> 00:25:55,787
{\an7}OR IS A STRANGER TO THEM
COMES IN HERE, FAIR GAME.

529
00:25:57,623 --> 00:26:00,693
{\an7}[GROWL]

530
00:26:00,726 --> 00:26:02,461
<font face="Monospace">{\an7}\h\h\h\h\h\h\h\h\hNarrator:
KEVIN IS VISITING NIKITA...

531
00:26:02,494 --> 00:26:05,063
{\an7}Kevin: HELLO, MY GIRLY, ARE YOU
WANTING YOUR PILCHARDS?

532
00:26:05,097 --> 00:26:06,599
{\an7}Narrator: A BLACK LEOPARD.

533
00:26:06,632 --> 00:26:10,136
{\an7}HER DARK COAT IS THE RESULT
OF A RARE RECESSIVE ALLELE,

534
00:26:10,169 --> 00:26:12,071
{\an7}WHICH IS A VARIANT OF A GENE,

535
00:26:12,104 --> 00:26:14,239
{\an7}CAUSING A CONDITION
\hCALLED MELANISM.

536
00:26:14,273 --> 00:26:16,342
<font face="Monospace">{\an7}Kevin: HERE, HERE, HERE.</font>

537
00:26:16,375 --> 00:26:18,110
{\an7}LET’S GO, LET’S GO!

538
00:26:18,143 --> 00:26:20,679
{\an7}LET THE TIN OPEN FIRST!

539
00:26:20,712 --> 00:26:24,749
{\an7}\hSHE’S ABOUT 10 YEARS OLD NOW,
AND AS PART OF HER ENRICHMENT,

540
00:26:24,783 --> 00:26:28,287
{\an7}\h\h\hHER FAVORITE THING IS
TO GIVE HER SOME PILCHARDS.

541
00:26:28,320 --> 00:26:30,355
{\an7}IT’S REALLY GOOD FOR HER,
\h\h\hIT’S GOT OMEGA-3s,

542
00:26:30,389 --> 00:26:34,059
<font face="Monospace">{\an7}\h\h\hIT’S GOOD FOR THE COAT,
AND SHE ABSOLUTELY LOVES IT.

543
00:26:34,093 --> 00:26:35,161
{\an7}NOT MY HAND!

544
00:26:35,194 --> 00:26:36,729
{\an7}\h\h\h\h\h\h\h\hNarrator:
ALTHOUGH THEY LOOK SMALL,

545
00:26:36,762 --> 00:26:38,831
{\an7}LEOPARDS ARE INCREDIBLY STRONG.

546
00:26:38,864 --> 00:26:41,500
{\an7}Kevin: EH! AAH!

547
00:26:41,533 --> 00:26:42,701
{\an7}THE REAL PROBLEM WITH LEOPARDS

548
00:26:42,734 --> 00:26:45,704
{\an7}\h\h\h\hIS THAT THEY HAVE
AN EXTREMELY SHORT FUSE,</font>

549
00:26:45,737 --> 00:26:49,541
{\an7}AND THE POWER-TO-WEIGHT RATIO
\h\h\h\h\h\h\hIS INCREDIBLE!

550
00:26:49,575 --> 00:26:51,544
{\an7}YOU’LL SEE A LEOPARD IN THE WILD

551
00:26:51,577 --> 00:26:54,180
{\an7}\h\h\h\h\h\hWEIGHING IN
AT ABOUT 60, 65 KILOS,

552
00:26:54,213 --> 00:26:56,982
{\an7}BEING ABLE TO CARRY AN IMPALA,
A FULLY GROWN IMPALA,

553
00:26:57,015 --> 00:26:59,384
{\an7}UP A TREE IN ITS JAWS.

554
00:26:59,418 --> 00:27:00,686
{\an7}THAT’S MY FINGER.

555
00:27:00,719 --> 00:27:02,721
<font face="Monospace">{\an7}WHEN YOU SEE EVEN NIKITA,
\hA LOT OF PEOPLE SEE HER

556
00:27:02,754 --> 00:27:04,756
{\an7}AND THEY GO "BUT SHE’S
\h\hSUCH A SMALL CAT,"

557
00:27:04,790 --> 00:27:07,092
{\an7}BUT IT’S THE ATTITUDE
\h\h\hAND THE MINDSET

558
00:27:07,126 --> 00:27:09,795
{\an7}THAT GOES WITH THAT LITTLE
\h\h\h\h\hDYNAMITE PACKAGE,

559
00:27:09,828 --> 00:27:11,363
{\an7}THAT’S WHAT YOU GOT
\h\hTO WORRY ABOUT.

560
00:27:11,396 --> 00:27:12,664
{\an7}AND UNLIKE A LION,

561
00:27:12,698 --> 00:27:15,267
<font face="Monospace">{\an7}WHO ONLY HAS REALLY SHARP CLAWS
ON THE FRONT PAWS,

562
00:27:15,300 --> 00:27:17,068
{\an7}A LEOPARD’S CLAWS--
\h\hALL FOUR PAWS--

563
00:27:17,102 --> 00:27:19,805
{\an7}\hEXTREMELY SHARP,
LIKE RAZOR BLADES.

564
00:27:19,838 --> 00:27:21,406
{\an7}AAH, AAH, AAH, AAH, AAH.

565
00:27:21,440 --> 00:27:25,377
{\an7}\h\h\h\h\hAND FOR THEIR SIZE,
REALLY INCREDIBLY LONG TEETH,

566
00:27:25,410 --> 00:27:28,713
{\an7}SO YOU PUT THAT IN THIS PACKAGE
TOGETHER WITH THIS MIND,

567
00:27:28,747 --> 00:27:31,316
<font face="Monospace">{\an7}YOU’VE GOT AN EXTREMELY
\h\hSUCCESSFUL ANIMAL.

568
00:27:31,350 --> 00:27:32,685
{\an7}OH!

569
00:27:36,989 --> 00:27:38,190
{\an7}Narrator: AT DINOKENG

570
00:27:38,223 --> 00:27:42,327
{\an7}THE NEW LEOPARD ENCLOSURES
\h\h\h\h\hARE NEARLY READY.

571
00:27:42,361 --> 00:27:46,131
{\an7}\h\h\hTHEY’LL NEED TO HAVE
EXTRA HIGH AND WIDE FENCES.

572
00:27:46,165 --> 00:27:48,167
{\an7}LEOPARDS ARE EXPERT CLIMBERS,

573
00:27:48,200 --> 00:27:51,770
{\an7}\h\h\h\h\h\hMAKING THEM
MASTER ESCAPE ARTISTS.</font>

574
00:27:51,803 --> 00:27:55,240
{\an7}Kevin: WHEN IT COMES TO BUILDING
THE PERFECT LEOPARD ENCLOSURE,

575
00:27:55,274 --> 00:27:59,211
{\an7}ONE HAS TO MAKE SURE THAT IT’S
GOT AMPLE FOLIAGE AND TREES.

576
00:27:59,244 --> 00:28:00,979
{\an7}THE LEOPARDS DO LOVE TO CLIMB,

577
00:28:01,013 --> 00:28:04,283
{\an7}AND THEY LIKE TO SPEND
\hLAZY, HOT SUMMER DAYS

578
00:28:04,316 --> 00:28:07,319
{\an7}IN THE TOP OF THE TREES,
\h\h\h\hWITH A NICE VIEW.

579
00:28:09,588 --> 00:28:11,957
<font face="Monospace">{\an7}\hNarrator: IN THE WILD
LEOPARDS ARE SOLITARY,

580
00:28:11,990 --> 00:28:16,528
{\an7}ONLY COMING TOGETHER TO MATE.

581
00:28:16,562 --> 00:28:18,731
{\an7}BUT AS NIKITA IS IN CAPTIVITY,

582
00:28:18,764 --> 00:28:23,235
{\an7}SHE HAS BEEN PAIRED WITH A MALE
CALLED COAL FOR COMPANY.

583
00:28:25,971 --> 00:28:27,406
{\an7}Kevin: THIS ENCLOSURE
\h\hON THE RIGHT HERE

584
00:28:27,439 --> 00:28:29,074
{\an7}IS ACTUALLY ONE OF MY FAVORITES.

585
00:28:29,107 --> 00:28:31,476
<font face="Monospace">{\an7}UH, IT JUST WORKED OUT
\h\h\h\h\h\hPERFECTLY.

586
00:28:31,510 --> 00:28:32,711
{\an7}WHEN I SAW THE AREA,

587
00:28:32,744 --> 00:28:36,481
{\an7}I SAID THIS IS GOING TO BE
\h\h\hFOR COAL AND NIKITA.

588
00:28:36,515 --> 00:28:39,284
{\an7}\h\hIT’S JUST FANTASTIC,
IT’S GOT BEAUTIFUL TREES,

589
00:28:39,318 --> 00:28:41,187
{\an7}IT’S GOT THE BUSH,

590
00:28:41,220 --> 00:28:45,357
{\an7}\h\hIT’S RIGHT ON THE CREST,
SO THE VIEWS ARE SPECTACULAR.

591
00:28:45,390 --> 00:28:47,826
<font face="Monospace">{\an7}I THINK THEY’RE GOING TO BE
\h\h\h\h\h\h\h\hVERY HAPPY.

592
00:28:50,529 --> 00:28:52,197
{\an7}\h\h\h\h\h\h\h\hNarrator:
EACH OF THE 13 ENCLOSURES

593
00:28:52,231 --> 00:28:54,300
{\an7}\h\h\h\h\hIS BEING DESIGNED
TO TRY TO KEEP THE ANIMALS

594
00:28:54,333 --> 00:28:57,169
{\an7}AS STIMULATED AS POSSIBLE.

595
00:28:57,202 --> 00:28:58,537
{\an7}Kevin: WE WANT TO GIVE
\h\h\h\h\h\hTHE ANIMALS

596
00:28:58,570 --> 00:29:00,872
{\an7}AS NATURAL A HABITAT
\h\h\h\hAS POSSIBLE.</font>

597
00:29:00,906 --> 00:29:04,710
{\an7}\hIN THE WILD, OBVIOUSLY, LIONS
HAVE GOT A DIVERSITY OF HABITAT,

598
00:29:04,743 --> 00:29:06,178
{\an7}AND THEY HAVE CHOICE.

599
00:29:06,211 --> 00:29:09,614
{\an7}\hOVER HERE IN CAPTIVITY, IT’S
SIMPLY WHAT WE PROVIDE FOR THEM,

600
00:29:09,648 --> 00:29:11,850
{\an7}SO A COUPLE OF NICE,
\h\hTALL ACACIA TREES

601
00:29:11,883 --> 00:29:13,985
{\an7}WITH A NICE UMBRELLA
\h\h\hIS IMPERATIVE.

602
00:29:14,019 --> 00:29:16,355
<font face="Monospace">{\an7}I MEAN, THEY’RE GOING TO USE
\h\h\h\hTHOSE TREES FOR SHADE

603
00:29:16,388 --> 00:29:18,991
{\an7}AND FOR SCRATCHING ON,

604
00:29:19,024 --> 00:29:21,793
{\an7}AND, YEAH, IT’S JUST VISUALLY
\h\h\h\hA LOT MORE APPEALING.

605
00:29:21,827 --> 00:29:27,733
{\an7}[ROARING]

606
00:29:27,766 --> 00:29:31,203
{\an7}\h\h\h\h\h\h\h\hNarrator:
WITH THE ENCLOSURES JUST WEEKS
AWAY FROM BEING FINISHED,

607
00:29:31,236 --> 00:29:36,708
{\an7}KEVIN IS HOPING FOR GOOD NEWS ON
THE PERMITS TO MOVE THE LIONS.</font>

608
00:29:36,742 --> 00:29:37,876
{\an7}Kevin: I WAS JUST CURIOUS TO SEE

609
00:29:37,909 --> 00:29:40,512
{\an7}HOW FAR YOU’RE GOING
TO BE GETTING GOING.

610
00:29:40,545 --> 00:29:42,781
{\an7}\h\hNarrator: BUT AFTER
FOUR MONTHS OF WAITING

611
00:29:42,814 --> 00:29:47,585
{\an7}IT’S NOT THE ANSWER
\hHE WAS EXPECTING.

612
00:29:47,619 --> 00:29:50,589
{\an7}\h\h\hKevin: I’VE HAD BASICALLY
THE ANSWER BACK ON THE PERMITS,

613
00:29:50,622 --> 00:29:54,559
<font face="Monospace">{\an7}AND IT’S A NO, REFUSED.</font>

614
00:29:54,593 --> 00:29:55,894
{\an7}SO WHAT DO WE DO NOW?

615
00:29:55,927 --> 00:29:58,329
{\an7}\h\h\h\hDO I STAY?
DO I JUST LEAVE IT?

616
00:29:58,363 --> 00:30:01,199
{\an7}\h\h\hDO I JUST WALK AWAY
AND SAY FINE, THANK YOU?

617
00:30:01,233 --> 00:30:04,503
{\an7}IT’S REALLY ABOUT GIVING THESE
LIONS THE LIVES THEY DESERVE.

618
00:30:04,536 --> 00:30:07,706
{\an7}LET THEM LIVE OUT THEIR LIVES.

619
00:30:07,739 --> 00:30:11,610
<font face="Monospace">{\an7}THE FIRST STEP AFTER REFUSAL
\h\h\h\h\h\h\h\hIS AN APPEAL,

620
00:30:11,643 --> 00:30:13,845
{\an7}\h\hAND THAT’S WHAT
WE’RE GOING TO DO.

621
00:30:13,879 --> 00:30:14,980
{\an7}IT’S NOT A QUESTION

622
00:30:15,013 --> 00:30:16,615
{\an7}\h\hOF "ARE WE GOING
TO GET THIS PERMIT,"

623
00:30:16,648 --> 00:30:18,884
{\an7}IT’S A QUESTION OF
\h\h\h"WE HAVE TO!"

624
00:30:18,917 --> 00:30:20,218
{\an7}IT HAS TO HAPPEN!

625
00:30:20,252 --> 00:30:23,822
{\an7}IT’S LIKE, THERE’S NO,
\h\h\hTHERE’S NO "NO!"</font>

626
00:30:23,855 --> 00:30:25,457
{\an7}THERE CAN’T BE A "NO!"

627
00:30:25,490 --> 00:30:28,893
{\an7}WE’RE NOT PREPARED TO JUST LIE
ON OUR BACKS AND LET IT GO BY.

628
00:30:28,927 --> 00:30:30,862
{\an7}WE’RE GONNA FIGHT.

629
00:30:33,265 --> 00:30:35,868
{\an7}Narrator: DESPITE THE PERMITS
\h\h\h\hSTILL BEING HELD UP,

630
00:30:35,901 --> 00:30:39,905
{\an7}\h\hKEVIN MUST CARRY ON
PREPARING FOR THE MOVE.

631
00:30:41,707 --> 00:30:46,078
{\an7}MOST OF HIS ANIMALS ARE HAPPY
\h\h\h\hTRAVELING IN THE VAN.</font>

632
00:30:46,111 --> 00:30:47,779
{\an7}Kevin: HELLO, GUYS!

633
00:30:47,813 --> 00:30:52,518
{\an7}\hNarrator: BUT THERE ARE A FEW
WHO ARE MORE RELUCTANT TO LOAD.

634
00:30:52,551 --> 00:30:55,054
{\an7}AND TAU IS ONE OF THEM.

635
00:30:55,087 --> 00:30:57,890
{\an7}PRIDE MATES TABBY, MADITAU
\h\h\h\h\h\h\hAND NAPOLEON

636
00:30:57,923 --> 00:31:00,159
{\an7}ARE FAR MORE CONFIDENT.

637
00:31:00,192 --> 00:31:02,861
{\an7}Kevin: OK, WHO’S GONNA LOAD?

638
00:31:02,894 --> 00:31:03,795
<font face="Monospace">{\an7}LET’S GO!</font>

639
00:31:03,829 --> 00:31:05,297
{\an7}COME.

640
00:31:05,330 --> 00:31:07,999
{\an7}LET’S GO, HERE.

641
00:31:08,033 --> 00:31:09,001
{\an7}HERE WE GO!

642
00:31:09,034 --> 00:31:10,536
{\an7}\h\h\h\h\h\h\h\hNarrator:
NAPOLEON JUMPS RIGHT IN.

643
00:31:10,569 --> 00:31:11,837
{\an7}Kevin: THERE WE GO.

644
00:31:11,870 --> 00:31:12,871
{\an7}HERE, TAU!

645
00:31:12,904 --> 00:31:15,340
{\an7}Narrator: UNLIKE HIS BROTHER...

646
00:31:15,374 --> 00:31:19,378
<font face="Monospace">{\an7}Kevin: HERE.</font>

647
00:31:19,411 --> 00:31:21,113
{\an7}UH-OH.

648
00:31:21,146 --> 00:31:23,015
{\an7}TAU, YOU’RE BEING A PROBLEM.

649
00:31:23,048 --> 00:31:26,518
{\an7}\h\h\hNarrator: KEVIN NEEDS
TO KEEP UP HIS CONFIDENCE.

650
00:31:26,551 --> 00:31:28,553
{\an7}Kevin: TAU, THERE.

651
00:31:28,587 --> 00:31:31,890
{\an7}THERE WE GO. AND IN.

652
00:31:31,923 --> 00:31:33,358
{\an7}JUST GOT TO GET HIM USED TO IT

653
00:31:33,392 --> 00:31:37,263
{\an7}AND LET HIM UNDERSTAND THAT THIS
IS NOT GOING TO HURT HIM.</font>

654
00:31:37,295 --> 00:31:40,799
{\an7}\h\hAS YOU CAN SEE, HE’S A BIT
NERVOUS GOING INTO THE VEHICLE.

655
00:31:40,832 --> 00:31:43,068
{\an7}\hGO, ONE MORE TIME.
OK, TAB, THAT’S GOOD.

656
00:31:43,101 --> 00:31:45,337
{\an7}THERE AND THERE.

657
00:31:45,370 --> 00:31:48,607
{\an7}\hGOOD BOY.
AND THERE!

658
00:31:48,640 --> 00:31:51,443
{\an7}[LAUGHS]

659
00:31:55,046 --> 00:31:56,114
{\an7}COME, TAU. HERE.

660
00:31:56,148 --> 00:31:58,617
{\an7}THERE WE GO.

661
00:31:58,650 --> 00:32:02,220
<font face="Monospace">{\an7}\h\h\h\h\h\h\h\h\hNarrator:
PATIENCE FINALLY PAYS OFF!

662
00:32:02,254 --> 00:32:03,388
{\an7}Kevin: THERE GOES TAU!

663
00:32:03,422 --> 00:32:05,457
{\an7}GREAT! EXCELLENT!
\h\h\h\hGOOD BOY.

664
00:32:05,490 --> 00:32:08,493
{\an7}TAU’S EVEN GETTING CHEEKY NOW!

665
00:32:08,527 --> 00:32:11,730
{\an7}\h\hHE’S ENJOYING IT
SO MUCH IN THERE. EH?

666
00:32:11,763 --> 00:32:13,131
{\an7}THAT’S REALLY GOOD NEWS FOR ME,

667
00:32:13,165 --> 00:32:19,805
<font face="Monospace">{\an7}BECAUSE I WOULD HAVE BEEN REALLY
UPSET TO HAVE TO DART TAU.

668
00:32:19,838 --> 00:32:21,273
{\an7}HE’S GETTING--HE’S OLD,

669
00:32:21,306 --> 00:32:24,876
{\an7}AND, YOU KNOW, PUTTING THEM
\h\h\h\hUNDER AN ANESTHETIC

670
00:32:24,910 --> 00:32:26,345
{\an7}FOR ANY LENGTH OF TIME
\h\h\h\h\h\hAT THIS AGE

671
00:32:26,378 --> 00:32:27,880
{\an7}IS NEVER GOOD FOR THEM,

672
00:32:27,913 --> 00:32:30,215
{\an7}SO I’M JUST REALLY PLEASED
\h\hTHAT HE’S LOADED WELL.

673
00:32:30,248 --> 00:32:34,419
<font face="Monospace">{\an7}YOU’VE SAVED YOURSELF THE PAIN
AND AGONY OF AN ANESTHETIC.

674
00:32:34,453 --> 00:32:39,191
{\an7}♪

675
00:32:39,224 --> 00:32:40,892
{\an7}Narrator: WHILE KEVIN EXPECTS
\h\h\h\h\h\hMOST OF THE LIONS

676
00:32:40,926 --> 00:32:42,961
{\an7}TO LOAD EASILY,

677
00:32:42,994 --> 00:32:45,663
{\an7}\h\h\h\hTHE HYENAS ARE
A DIFFERENT CHALLENGE.

678
00:32:48,567 --> 00:32:53,338
{\an7}EVERYTHING COMES DOWN
\h\hTO CLAN DYNAMICS.

679
00:32:53,371 --> 00:32:57,876
<font face="Monospace">{\an7}\hAND ON THE BIG DAY, SQUABBLES
COULD EASILY UPSET THE BALANCE.

680
00:32:57,909 --> 00:32:59,010
{\an7}Kevin: WHAT ARE YOU DOING?

681
00:32:59,044 --> 00:33:01,046
{\an7}\h\h\hTHIS IS GEENA,
SHE’S THE MATRIARCH.

682
00:33:01,079 --> 00:33:04,349
{\an7}UH, SHE’S BEEN IN CHARGE
\h\hFOR QUITE SOME TIME.

683
00:33:04,382 --> 00:33:07,986
{\an7}\h\h\hAND THERE IS GEENA
ASSERTING HER DOMINANCE.

684
00:33:10,755 --> 00:33:15,159
{\an7}\h\hSHE’S GOING TO GIVE YOU
A GOOD ONE JUST NOW, YEAH.</font>

685
00:33:15,193 --> 00:33:16,494
{\an7}YOU’RE PUSHING YOUR LUCK, BUD.

686
00:33:16,528 --> 00:33:17,763
{\an7}AND I TELL YOU SOMETHING:

687
00:33:17,796 --> 00:33:19,665
{\an7}\h\h\hI WOULDN’T LIKE TO BE ON
THE RECEIVING END OF THOSE JAWS.

688
00:33:19,698 --> 00:33:22,601
{\an7}\h\h\h\h\h\hHELLO, MY GIRL.
COME, LET’S ALL CALM DOWN.

689
00:33:22,634 --> 00:33:25,003
{\an7}EH, STOP THAT!

690
00:33:25,036 --> 00:33:27,972
{\an7}Narrator: A HYENA’S JAW STRENGTH
IS SO POWERFUL

691
00:33:28,006 --> 00:33:31,843
<font face="Monospace">{\an7}\hTHAT IT’S CAPABLE OF CRUSHING
THROUGH THE THICKEST OF BONES.

692
00:33:35,914 --> 00:33:37,249
{\an7}THE FRONT MOLARS ALONE

693
00:33:37,282 --> 00:33:41,219
{\an7}CAN GENERATE A PRESSURE
\h\h\h\hOF 221 POUNDS.

694
00:33:41,253 --> 00:33:45,190
{\an7}Kevin: WHO’S STRONGER,
\h\h\h\h\h\hME OR YOU?

695
00:33:45,223 --> 00:33:47,025
{\an7}WELL, IT’S INCREDIBLE TO BE
\h\hIN THE MIDDLE OF THIS,

696
00:33:47,058 --> 00:33:48,593
{\an7}BECAUSE HERE’S THE MATRIARCH,

697
00:33:48,627 --> 00:33:50,762
<font face="Monospace">{\an7}SHE COULD QUITE EASILY
\h\h\hTAKE MY FACE OFF.

698
00:33:50,795 --> 00:33:54,032
{\an7}BUT HERE SHE’S PUTTING ANOTHER
\h\hCLAN MEMBER IN THEIR PLACE,

699
00:33:54,065 --> 00:33:56,167
{\an7}\h\h\h\hAND THAT, ACTUALLY,
SO HAPPENS TO BE THE MALE.

700
00:33:56,201 --> 00:33:58,537
{\an7}HEY, YOU, ARE YOU BEING
\h\h\h\h\h\hIN TROUBLE?

701
00:33:58,570 --> 00:33:59,371
{\an7}HEY?

702
00:33:59,404 --> 00:34:00,906
{\an7}DON’T COME PICK ON ME NOW!

703
00:34:07,612 --> 00:34:11,983
<font face="Monospace">{\an7}HEY, HEY, HEY, HEY, HEY!
\h\hDON’T TAKE ADVANTAGE!

704
00:34:12,017 --> 00:34:14,052
{\an7}ONE NEEDS TO BECOME
\h\hQUITE A MASTER

705
00:34:14,085 --> 00:34:17,388
{\an7}IN LEARNING HYENA’S POSTURING
\h\h\h\h\hAND BODY LANGUAGE.

706
00:34:17,422 --> 00:34:21,026
{\an7}\h\h\h\h\h\hIN MY EARLIER YEARS
I GOT BITTEN MANY, MANY TIMES.

707
00:34:21,059 --> 00:34:21,960
{\an7}MAXI.

708
00:34:21,993 --> 00:34:24,596
{\an7}IT’S A GAME, IT’S A GAME!

709
00:34:24,629 --> 00:34:26,664
<font face="Monospace">{\an7}\h\h\h\hAND THAT WAS REALLY
BECAUSE I DIDN’T UNDERSTAND

710
00:34:26,698 --> 00:34:28,400
{\an7}HOW THE HYENA CLAN WORKED.

711
00:34:28,433 --> 00:34:30,135
{\an7}I DIDN’T UNDERSTAND
\h\h\hTHE DYNAMICS.

712
00:34:30,168 --> 00:34:34,172
{\an7}\hBUT AS THE YEARS WENT ON AND
AS I GOT BITTEN LESS AND LESS,

713
00:34:34,205 --> 00:34:38,209
{\an7}I STARTED TO UNDERSTAND THE WAY
THAT THESE LITTLE BRAINS WORK.

714
00:34:42,180 --> 00:34:44,149
{\an7}THIS IS NOT AGGRESSION,
\h\h\h\h\hTHIS IS PLAY.</font>

715
00:34:44,182 --> 00:34:46,017
{\an7}SO SHE’S PLAYING WITH ME
\h\hAND SHE’S BEING ALL--

716
00:34:46,051 --> 00:34:50,222
{\an7}\h\hWHAT I LOVE ABOUT GEENA
IS SHE GETS ALL FLIRTATIOUS

717
00:34:50,255 --> 00:34:53,191
{\an7}\h\hAND SHE COMES AND SHE NIPS
AND SHE GETS ALL FLIRTY WITH ME,

718
00:34:53,224 --> 00:34:55,960
{\an7}\h\h\h\h\hWHICH REALLY IS
A SPECIAL MOMENT, BUT...

719
00:34:55,994 --> 00:34:58,797
{\an7}ESPECIALLY KNOWING THAT SHE IS

720
00:34:58,830 --> 00:35:02,367
<font face="Monospace">{\an7}THE DOMINANT INDIVIDUAL
\h\h\h\h\hIN THIS CLAN.

721
00:35:06,838 --> 00:35:09,107
{\an7}Narrator: KEVIN WANTS TO SEE
\h\h\hIF ALL OF GEENA’S CLAN

722
00:35:09,140 --> 00:35:12,010
{\an7}WILL LOAD INTO THE VAN
\h\h\hAT THE SAME TIME.

723
00:35:12,043 --> 00:35:14,412
{\an7}Kevin: OK? ALRIGHT.

724
00:35:14,446 --> 00:35:16,481
{\an7}\h\hNarrator: IF THEY DO,
IT MEANS HE CAN MOVE THEM

725
00:35:16,514 --> 00:35:17,949
{\an7}IN JUST ONE TRIP.

726
00:35:17,983 --> 00:35:18,984
<font face="Monospace">{\an7}Kevin: WOO HOO HOO!</font>

727
00:35:19,017 --> 00:35:21,987
{\an7}GOOD, GOOD, GOOD.
\h\h\h\h\h\hCOME!

728
00:35:22,020 --> 00:35:23,455
{\an7}\h\h\h\h\h\h\h\hNarrator:
HE KNOWS SOME INDIVIDUALS

729
00:35:23,488 --> 00:35:25,824
{\an7}ARE MORE NERVOUS THAN OTHERS.

730
00:35:25,857 --> 00:35:31,296
{\an7}BUT HE HOPES THEY’LL TAKE THEIR
LEAD FROM THEIR MATRIARCH GEENA.

731
00:35:31,329 --> 00:35:33,998
{\an7}Kevin: YOU WANT TO GO
\h\h\hFOR A RIDE, EH?

732
00:35:34,032 --> 00:35:35,567
<font face="Monospace">{\an7}HERE, GEENA!</font>

733
00:35:35,600 --> 00:35:41,239
{\an7}Narrator: BACKED UP WITH THE
HELP OF A MEATY TREAT OR TWO,

734
00:35:41,272 --> 00:35:46,110
{\an7}GEENA IS THE FIRST
\h\hTO INVESTIGATE.

735
00:35:46,144 --> 00:35:47,646
{\an7}Kevin: COME! SHAN SHANZ!

736
00:35:47,679 --> 00:35:50,382
{\an7}Narrator: FOLLOWED BY SHANZI,
\h\h\h\h\hTHE DOMINANT MALE,

737
00:35:50,415 --> 00:35:53,184
{\an7}WHO SOON MAKES HIMSELF AT HOME.

738
00:35:56,187 --> 00:36:01,392
<font face="Monospace">{\an7}\h\h\h\h\h\hKevin, as Shanzi:
OH, THIS IS MY FAVORITE PLACE
\h\hIN THE WHOLE WORLD, YEAH.

739
00:36:01,426 --> 00:36:02,761
{\an7}IT’S GOING REALLY, REALLY WELL,

740
00:36:02,794 --> 00:36:06,197
{\an7}EXCEPT THE HYENA THAT I THOUGHT
WOULD GET IN THE QUICKEST

741
00:36:06,231 --> 00:36:08,400
{\an7}IS ACTUALLY JUST STANDING BACK--

742
00:36:08,433 --> 00:36:10,068
{\an7}THAT’S OLD MAXI.

743
00:36:10,101 --> 00:36:12,437
{\an7}SHE’S NORMALLY QUITE DOMINANT
\h\h\h\h\h\h\h\hIN THIS CLAN.</font>

744
00:36:12,470 --> 00:36:15,173
{\an7}BUT WHAT’S REALLY GOOD
\h\hIS WE’VE GOT FOUR.

745
00:36:15,206 --> 00:36:16,841
{\an7}THAT’S A GOOD START.

746
00:36:16,875 --> 00:36:18,944
{\an7}THEY’RE PRETTY COMFORTABLE
\h\h\h\h\h\h\h\h\hLOADING.

747
00:36:18,977 --> 00:36:20,545
{\an7}IT’S JUST WE’RE MISSING THREE,

748
00:36:20,578 --> 00:36:22,346
{\an7}\h\h\hAND THESE ARE
THE CRITICAL THREE.

749
00:36:22,380 --> 00:36:26,885
{\an7}THAT’S RINGO, THAT’S SPUNNEYS,
AND SURPRISINGLY MAXI.</font>

750
00:36:26,918 --> 00:36:30,922
{\an7}\h\h\h\h\h\h\h\h\h\hMAXI?
MAX, MAX, MAX, MAX, MAX.

751
00:36:30,955 --> 00:36:33,458
{\an7}Narrator: IT WILL BE IMPORTANT
TO BUILD MAXI’S CONFIDENCE

752
00:36:33,491 --> 00:36:36,127
{\an7}\h\h\h\h\h\hSTEP BY STEP
OVER THE NEXT FEW WEEKS.

753
00:36:36,161 --> 00:36:39,665
{\an7}\h\h\hKevin: HERE WE GO.
MAX, MAX, MAX, MAX, MAX!

754
00:36:39,698 --> 00:36:42,000
{\an7}\hOK, SO WE’VE BEEN MAKING
SOME INROADS NOW WITH MAXI,

755
00:36:42,033 --> 00:36:44,536
<font face="Monospace">{\an7}\h\h\h\h\hWHO’S FIGURED
THAT SHE’S MISSING OUT

756
00:36:44,569 --> 00:36:48,373
{\an7}ON SOME TASTY TREATS.

757
00:36:48,406 --> 00:36:50,475
{\an7}Narrator: BUT SUDDENLY,
IN ALL THE EXCITEMENT,

758
00:36:50,508 --> 00:36:55,880
{\an7}GEENA AND SHANZI DECIDE TO EXERT
THEIR DOMINANCE OVER MAXI,

759
00:36:55,914 --> 00:36:58,216
{\an7}\hWHO QUICKLY SUBMITS
TO THEIR AGGRESSION,

760
00:36:58,249 --> 00:37:01,819
{\an7}ADDING TO AN ALREADY TENSE
\h\h\h\h\h\h\h\hSITUATION.</font>

761
00:37:01,853 --> 00:37:04,389
{\an7}[YELPING]

762
00:37:04,422 --> 00:37:05,857
{\an7}Kevin: YOU’D BETTER GET IN HERE,

763
00:37:05,890 --> 00:37:07,125
{\an7}I PROMISE YOU IT’S SAFER,
\h\h\h\h\h\h\hIT’S SAFER.

764
00:37:07,158 --> 00:37:09,927
{\an7}COME! COME!

765
00:37:09,961 --> 00:37:12,230
{\an7}SHE’S STILL VERY NERVOUS,
\hBUT SHE’S CALMING DOWN.

766
00:37:12,263 --> 00:37:17,001
{\an7}YEAH, YOU’RE CALMING, MY GIRLY.
LOOK HERE, LOOK HERE. THERE.

767
00:37:17,035 --> 00:37:18,403
<font face="Monospace">{\an7}HAVE SOME PATIENCE</font>

768
00:37:18,436 --> 00:37:20,505
{\an7}AND LET HER DO IT
IN HER OWN TIME.

769
00:37:23,541 --> 00:37:25,009
{\an7}Narrator: BACK AT THE KINGDOM,

770
00:37:25,043 --> 00:37:27,178
{\an7}\h\h\h\h\hIT’S TIME FOR
A WELL-NEEDED CHECK-IN

771
00:37:27,212 --> 00:37:30,315
{\an7}WITH LIVY, GINNY AND VAYETSI.

772
00:37:30,348 --> 00:37:33,017
{\an7}WITH A BATTLE ON HIS HANDS
\h\h\hCHASING THE PERMITS,

773
00:37:33,051 --> 00:37:34,920
<font face="Monospace">{\an7}\h\h\h\h\h\h\hKEVIN IS WORRIED
HIS RELATIONSHIP WITH THE LIONS

774
00:37:34,953 --> 00:37:36,188
{\an7}IS SUFFERING.

775
00:37:36,221 --> 00:37:39,825
{\an7}Kevin: NO, DON’T GET THE BOTTLE,
YOU NAUGHTY THING.

776
00:37:39,858 --> 00:37:41,326
{\an7}\h\h\h\h\h\h\h\h\h\hNarrator:
AND WITH THE YOUNGER ANIMALS,

777
00:37:41,359 --> 00:37:46,030
{\an7}\h\hSPENDING TIME WITH THEM IS
CRITICAL TO MAINTAIN THE BONDS.

778
00:37:46,064 --> 00:37:50,702
{\an7}Kevin: COME, BOY,
HERE, HERE, HERE.</font>

779
00:37:50,735 --> 00:37:52,870
{\an7}IT’S BEEN A WHILE.

780
00:37:52,904 --> 00:37:56,441
{\an7}THERE’S A GOOD BOY.
THERE’S A GOOD BOY.

781
00:37:56,474 --> 00:37:59,644
{\an7}THE WAY I PRIDE MYSELF
\hON WORKING WITH LIONS

782
00:37:59,677 --> 00:38:03,714
{\an7}IS OBVIOUSLY HAVING THE ABILITY
TO INTERACT WITH THEM

783
00:38:03,748 --> 00:38:07,418
{\an7}ON A VERY FAMILIAR LEVEL.

784
00:38:07,452 --> 00:38:08,753
{\an7}[LAUGHS]

785
00:38:08,787 --> 00:38:10,589
<font face="Monospace">{\an7}LIKE ANY RELATIONSHIP,</font>

786
00:38:10,622 --> 00:38:13,225
{\an7}IF YOU DON’T WORK AT IT,
YOU’RE GOING TO LOSE IT,

787
00:38:13,258 --> 00:38:15,393
{\an7}AND IT’S EVEN MORE SO IMPORTANT

788
00:38:15,426 --> 00:38:19,964
{\an7}WHEN YOU’RE WORKING WITH ANIMALS
THAT CAN POTENTIALLY KILL YOU.

789
00:38:19,998 --> 00:38:22,501
{\an7}STOP BITING ME, HEY!

790
00:38:24,502 --> 00:38:27,672
{\an7}SO, RELATIONSHIPS ARE KEY
\h\h\h\h\h\hTO WHAT I DO,

791
00:38:27,705 --> 00:38:30,174
<font face="Monospace">{\an7}\h\h\h\hAND THEREFORE
ABSOLUTELY PARAMOUNT

792
00:38:30,208 --> 00:38:32,143
{\an7}\h\hTHAT I GET HERE
AS OFTEN AS I CAN,

793
00:38:32,177 --> 00:38:35,313
{\an7}AND I SIMPLY JUST HAVE NOT
\h\h\h\hBEEN ABLE TO DO IT,

794
00:38:35,346 --> 00:38:38,182
{\an7}AND IT IS A BIT OF A WORRY,
\h\h\h\hBECAUSE, YOU KNOW,

795
00:38:38,216 --> 00:38:40,285
{\an7}I SEE IT WITH GUYS LIKE VAYETSI.

796
00:38:40,318 --> 00:38:42,787
{\an7}I MEAN, LOOK, HE’S NOT,
\h\hHE’S NOT A PROBLEM,</font>

797
00:38:42,821 --> 00:38:45,791
{\an7}\h\h\h\hBUT HE’S DOING THINGS
THAT HE DOESN’T NORMALLY DO.

798
00:38:45,824 --> 00:38:47,626
{\an7}\h\h\h\h\hHE’S TRYING ME,
HE’S TESTING THE WATERS,

799
00:38:47,659 --> 00:38:49,794
{\an7}HE’S SEEING HOW MUCH
HE CAN GET AWAY WITH,

800
00:38:49,828 --> 00:38:52,864
{\an7}WHICH HE’S DOING RIGHT NOW,
\h\h\h\hHE’S BITING MY LEG!

801
00:38:52,897 --> 00:38:54,899
{\an7}NAUGHTY GUY!

802
00:38:54,933 --> 00:38:57,436
{\an7}[LOW GROWLING]

803
00:38:57,468 --> 00:39:01,305
<font face="Monospace">{\an7}HELLO, MY BOY!</font>

804
00:39:01,339 --> 00:39:03,041
{\an7}HE’S FULL OF IT!

805
00:39:03,074 --> 00:39:05,376
{\an7}\h\h\h\h\hWHEN YOU’RE AWAY
FOR A LONG PERIOD OF TIME,

806
00:39:05,410 --> 00:39:07,012
{\an7}THEN HE’S GOING TO TRY
\h\hALL THE MORE HARDER

807
00:39:07,045 --> 00:39:08,613
{\an7}TO ASSERT HIS DOMINANCE,

808
00:39:08,646 --> 00:39:11,816
{\an7}\h\h\h\h\hOR JUST TO SHOW YOU
THAT HE CAN DO WHAT HE WANTS.

809
00:39:11,850 --> 00:39:12,984
{\an7}HEY!

810
00:39:13,017 --> 00:39:16,254
<font face="Monospace">{\an7}\hAND YOU CAN’T BECAUSE
YOU’VE GOT ME HERE NOW!

811
00:39:17,021 --> 00:39:18,289
{\an7}YES!

812
00:39:20,658 --> 00:39:23,628
{\an7}Narrator: AFTER EIGHT WEEKS
\hRECUPERATING AT DINOKENG,

813
00:39:23,661 --> 00:39:27,331
{\an7}\h\h\hTHE WILD MALE LION
HAS MADE A FULL RECOVERY.

814
00:39:27,365 --> 00:39:29,634
{\an7}\hHE’S BEEN FITTED
WITH A GPS COLLAR,

815
00:39:29,667 --> 00:39:32,703
{\an7}\h\h\hWHICH WILL ALLOW HIM
TO BE TRACKED IN REAL TIME.

816
00:39:32,737 --> 00:39:34,205
<font face="Monospace">{\an7}Kevin: NOW WE CAN TRACK
\h\h\h\hHIS MOVEMENTS,

817
00:39:34,239 --> 00:39:36,875
{\an7}WE CAN GO AND CHECK UP ON HIM
\h\h\h\h\h\h\h\h\hEVERY DAY,

818
00:39:36,908 --> 00:39:40,011
{\an7}WE CAN SEE HOW HE’S DOING,
WE CAN SEE IF HE’S HUNTING,

819
00:39:40,044 --> 00:39:43,948
{\an7}WHERE HE’S GOING, AND WHAT
HE’S REALLY GETTING UP TO.

820
00:39:43,982 --> 00:39:46,918
{\an7}\h\h\h\h\h\h\h\h\hNarrator:
TODAY HE WILL BE RELEASED.

821
00:39:46,951 --> 00:39:49,454
<font face="Monospace">{\an7}THE COLLAR WILL HELP RESEARCHERS
TO GATHER DATA

822
00:39:49,487 --> 00:39:52,090
{\an7}\h\hON HIS BEHAVIOR
AND HIS TERRITORY.

823
00:39:52,123 --> 00:39:54,092
{\an7}Kevin: HIS WOUNDS HAVE ALL
\h\h\h\hHEALED VERY NICELY,

824
00:39:54,125 --> 00:39:56,327
{\an7}HE’S FIT AND STRONG.

825
00:39:56,361 --> 00:40:00,632
{\an7}\h\hHOPEFULLY WE SEE SAT 153,
AS HE’S AFFECTIONATELY KNOWN,

826
00:40:00,665 --> 00:40:05,403
{\an7}BEING FREE AGAIN, WHICH IS GOING
TO BE A FANTASTIC THING.</font>

827
00:40:05,436 --> 00:40:08,539
{\an7}THE FEELING OF LIBERATING
AN ANIMAL INTO THE WILD,

828
00:40:08,573 --> 00:40:12,710
{\an7}\h\h\hI TELL YOU, IT IS
EXTREMELY EXHILARATING,

829
00:40:12,744 --> 00:40:14,246
{\an7}AND THIS IS JUST FANTASTIC

830
00:40:14,279 --> 00:40:16,448
{\an7}\h\h\h\hBECAUSE THIS IS
WHERE LIONS SHOULD BE,

831
00:40:16,481 --> 00:40:19,818
{\an7}LIONS SHOULD BE OUT IN THE WILD.

832
00:40:19,851 --> 00:40:26,825
{\an7}♪

833
00:40:26,858 --> 00:40:29,327
<font face="Monospace">{\an7}Narrator: ALTHOUGH WILD LIONS
\h\h\h\h\h\hARE UNDER THREAT,

834
00:40:29,360 --> 00:40:34,565
{\an7}\h\h\hNUMBERS OF CAPTIVE LIONS
IN SOUTH AFRICA ARE ON THE RISE.

835
00:40:34,599 --> 00:40:37,335
{\an7}\h\h\h\h\h\h\h\hMANY ARE BRED
FOR THE CUB-PETTING INDUSTRY,

836
00:40:37,368 --> 00:40:40,738
{\an7}\h\h\h\h\hBUT WHEN THEY GROW UP
ARE SOLD INTO CANNED LION FARMS

837
00:40:40,772 --> 00:40:43,975
{\an7}FOR TROPHY HUNTING.

838
00:40:44,008 --> 00:40:45,476
<font face="Monospace">{\an7}WITH LIMITED SPACE,</font>

839
00:40:45,510 --> 00:40:47,245
{\an7}AND BECAUSE KEVIN
\hCAN’T GUARANTEE

840
00:40:47,278 --> 00:40:49,280
{\an7}WHERE CUBS WILL END UP,

841
00:40:49,314 --> 00:40:52,684
{\an7}HIS LIONS ARE NOT ALLOWED
\h\h\h\h\h\h\h\hTO BREED.

842
00:40:52,717 --> 00:40:57,622
{\an7}ALL THE FEMALES ARE GIVEN
\hCONTRACEPTIVE IMPLANTS.

843
00:40:57,655 --> 00:41:01,492
{\an7}TODAY IT’S TABBY’S TURN.

844
00:41:01,526 --> 00:41:05,430
{\an7}SHE’S BEEN SEPARATED
FROM HER PRIDE MATES.</font>

845
00:41:05,463 --> 00:41:08,333
{\an7}VETERINARIAN CLARE SPEEDY
\h\hWILL USE A POLE DART

846
00:41:08,366 --> 00:41:11,336
{\an7}TO TRANQUILIZE THE LIONESS.

847
00:41:11,369 --> 00:41:14,072
{\an7}Kevin: ALRIGHT.

848
00:41:14,105 --> 00:41:16,941
{\an7}THERE’S MY GIRLY. OH!

849
00:41:16,975 --> 00:41:20,278
{\an7}LET ME SAY THAT TABBY HAS SEEN
A FEW NEEDLES IN HER TIME

850
00:41:20,311 --> 00:41:23,214
{\an7}AND SHE KNOWS CLARE WELL,

851
00:41:23,247 --> 00:41:25,816
<font face="Monospace">{\an7}SO SHE’S NOT CHARMED,
\h\hTO SAY THE LEAST,

852
00:41:25,850 --> 00:41:28,886
{\an7}AND SHE’S NOT COOPERATING,
\h\h\h\h\h\h\h\hBUT, UH...

853
00:41:28,920 --> 00:41:31,456
{\an7}Narrator: WHILE KEVIN
\hDISTRACTS TABBY...

854
00:41:31,489 --> 00:41:33,124
{\an7}Kevin: GOOD CATCH!

855
00:41:33,157 --> 00:41:35,226
{\an7}\h\h\h\h\h\h\hNarrator:
CLARE GRABS HER CHANCE.

856
00:41:35,259 --> 00:41:37,328
{\an7}Clare Speedy: I’M GOING TO DO IT
IN HER SHOULDER...

857
00:41:37,362 --> 00:41:39,231
<font face="Monospace">{\an7}[GROWLS]</font>

858
00:41:39,263 --> 00:41:40,431
{\an7}Kevin: GET IT?
Clare: MM-HMM.

859
00:41:40,465 --> 00:41:42,534
{\an7}Kevin: GOOD ONE!

860
00:41:42,567 --> 00:41:43,768
{\an7}ALRIGHT.

861
00:41:43,801 --> 00:41:45,303
{\an7}\h\h\h\h\h\h\h\hNarrator:
GIVING A LION ANESTHETIC

862
00:41:45,336 --> 00:41:47,638
{\an7}IS A RISKY PROCEDURE.

863
00:41:49,640 --> 00:41:52,243
{\an7}EVERY ANIMAL REACTS DIFFERENTLY.

864
00:41:52,276 --> 00:41:56,580
{\an7}AND AS TABBY IS 15 YEARS OLD,
\h\hHER METABOLISM IS SLOWER,</font>

865
00:41:56,614 --> 00:42:01,052
{\an7}\h\h\hPUTTING HER AT RISK OF
COMPLICATIONS AND EVEN DEATH.

866
00:42:01,085 --> 00:42:03,854
{\an7}\hTHEY NEED TO KEEP
A CLOSE EYE ON HER.

867
00:42:11,262 --> 00:42:14,398
{\an7}\h\h\h\h\h\h\hSHE’S BEEN GIVEN
THE LOWEST DRUG DOSE POSSIBLE,

868
00:42:14,432 --> 00:42:18,836
{\an7}WHICH MEANS THEY NEED
\h\h\hTO ACT QUICKLY.

869
00:42:18,870 --> 00:42:21,106
{\an7}EVEN LIONS THAT APPEAR
\h\h\h\h\h\hUNCONSCIOUS

870
00:42:21,139 --> 00:42:23,041
<font face="Monospace">{\an7}\h\hHAVE BEEN KNOWN
TO SUDDENLY WAKE UP

871
00:42:23,074 --> 00:42:25,610
{\an7}\h\h\h\h\h\hAND LASH OUT
IN THEIR CONFUSED STATE.

872
00:42:25,643 --> 00:42:27,078
{\an7}Kevin: IT’S NOT SOMETHING
\h\h\h\h\hI ENJOY DOING.

873
00:42:27,111 --> 00:42:28,446
{\an7}\hIT’S SOMETHING
THAT’S NECESSARY.

874
00:42:28,479 --> 00:42:30,381
{\an7}WE WANT TO PREVENT
THE BREEDING HERE.

875
00:42:30,415 --> 00:42:32,617
{\an7}AND THAT’S WHY WE JUST NEED
\h\h\h\hTO KEEP PUTTING HER

876
00:42:32,650 --> 00:42:34,519
<font face="Monospace">{\an7}ON THE CONTRACEPTIVE IMPLANT,</font>

877
00:42:34,552 --> 00:42:37,121
{\an7}AND IN ANOTHER TWO YEARS OR SO

878
00:42:37,155 --> 00:42:38,923
{\an7}SHE PROBABLY WON’T BE
\h\hBREEDING ANYWAY,

879
00:42:38,956 --> 00:42:42,927
{\an7}SO THIS IS PROBABLY, HOPEFULLY,
THE LAST TIME.

880
00:42:42,960 --> 00:42:45,930
{\an7}Narrator: EACH IMPLANT
LASTS AROUND TWO YEARS.

881
00:42:45,963 --> 00:42:49,433
{\an7}\h\h\h\h\h\h\h\h\hBUT IT HAS
AN UNFORTUNATE SIDE EFFECT--

882
00:42:49,467 --> 00:42:51,636
<font face="Monospace">{\an7}WEIGHT GAIN.</font>

883
00:42:51,669 --> 00:42:56,974
{\an7}Clare: THAT’S IN, LOOKS ALRIGHT,
HER BREATHING IS REALLY NICE,

884
00:42:57,008 --> 00:42:59,611
{\an7}BUT SHE’LL HAVE TO GO ON A DIET!

885
00:42:59,644 --> 00:43:00,845
{\an7}Kevin: SHE’S ON A DIET, CLARE.

886
00:43:00,878 --> 00:43:03,581
{\an7}SHE DOESN’T HAVE TO GO ON ONE,
SHE’S ON ONE.

887
00:43:03,614 --> 00:43:06,250
{\an7}HEY, TABBY, CLOSE YOUR EARS.

888
00:43:06,284 --> 00:43:07,919
{\an7}\h\h\h\hDON’T LISTEN
TO THE HORRIBLE VET!</font>

889
00:43:07,952 --> 00:43:10,755
{\an7}\h\h\h\h\h\hNarrator:
SHE’S GIVEN THE REVERSAL DRUGS
TO BRING HER AROUND.

890
00:43:10,788 --> 00:43:12,390
{\an7}\h\h\h\hKevin: HOW LONG
DOES THE REVERSAL TAKE?

891
00:43:12,423 --> 00:43:14,125
{\an7}\h\h\h\hClare: IT TAKES
ABOUT 30 MINUTES OR SO.

892
00:43:14,158 --> 00:43:15,426
{\an7}Kevin: OK.

893
00:43:15,460 --> 00:43:16,828
{\an7}\h\h\hClare: YOU DON’T WANT
TO WAKE HER UP TOO QUICKLY.

894
00:43:16,861 --> 00:43:19,997
<font face="Monospace">{\an7}\h\h\h\h\hKevin: TOO QUICKLY.
Clare: A SHOCK TO THE SYSTEM.

895
00:43:20,031 --> 00:43:29,707
{\an7}♪

896
00:43:29,740 --> 00:43:30,808
{\an7}Kevin: THE DRUGS ARE WORKING.

897
00:43:30,842 --> 00:43:32,877
{\an7}Clare: THE DRUGS ARE WORKING.

898
00:43:35,880 --> 00:43:38,649
{\an7}Kevin: TODAY WENT REALLY WELL.

899
00:43:38,683 --> 00:43:42,153
{\an7}IT WAS A STRAIGHTFORWARD
\h\h\h\h\h\h\hPROCEDURE.

900
00:43:42,186 --> 00:43:43,554
{\an7}SHE’S STILL A BIT DOPEY.

901
00:43:43,588 --> 00:43:46,057
<font face="Monospace">{\an7}I THOUGHT SHE WAS UP ON HER FEET
WALKING AROUND,

902
00:43:46,090 --> 00:43:49,393
{\an7}\hBUT SHE’S STUMBLING A BIT,
SO WE CAN’T RELEASE HER NOW,

903
00:43:49,427 --> 00:43:51,529
{\an7}’CAUSE IF WE DID, THE REST
\hOF THE GUYS IN THE PRIDE

904
00:43:51,562 --> 00:43:53,564
{\an7}WILL PROBABLY, YOU KNOW,
\h\h\h\h\h\h\hJUMP ON HER

905
00:43:53,598 --> 00:43:55,266
{\an7}AND START PICKING ON HER A BIT,

906
00:43:55,299 --> 00:43:58,169
{\an7}SO IT’S ALWAYS BEST TO GET THEM
FULLY CONSCIOUS</font>

907
00:43:58,202 --> 00:43:59,937
{\an7}AND THEN DO A RELEASE.

908
00:43:59,971 --> 00:44:00,772
{\an7}HEY, MY GIRL.

909
00:44:00,805 --> 00:44:02,106
{\an7}BUT YOU’RE LOOKING GOOD.

910
00:44:02,140 --> 00:44:05,610
{\an7}\h\hYOU’RE UP AND ABOUT,
WHICH IS THE MAIN THING.

911
00:44:05,643 --> 00:44:07,845
{\an7}Narrator: FOR NOW TABBY
\h\hIS LEFT TO RECOVER

912
00:44:07,879 --> 00:44:10,915
{\an7}FROM HER POST-ANESTHETIC
\h\h\h\h\h\h\h\hHEADACHE.

913
00:44:10,948 --> 00:44:16,320
{\an7}♪

914
00:44:16,354 --> 00:44:17,856
<font face="Monospace">{\an7}IT’S BEEN A LONG SEVEN MONTHS</font>

915
00:44:17,889 --> 00:44:23,061
{\an7}\hSINCE KEVIN FIRST APPLIED FOR
THE PERMITS TO MOVE THE ANIMALS.

916
00:44:23,094 --> 00:44:27,398
{\an7}DESPITE HIS BEST EFFORTS,
\h\h\hTHEY WERE REFUSED.

917
00:44:27,431 --> 00:44:28,699
{\an7}AT THE NEW RESERVE,

918
00:44:28,733 --> 00:44:32,370
{\an7}\h\hTHE ENCLOSURES
ARE STANDING EMPTY.

919
00:44:32,403 --> 00:44:36,774
{\an7}BUT TODAY, THERE’S FINALLY BEEN
NEWS OF THE APPEAL.

920
00:44:36,807 --> 00:44:39,643
<font face="Monospace">{\an7}Kevin: FINALLY!</font>

921
00:44:39,677 --> 00:44:42,180
{\an7}\h\hFINALLY WE HAVE
PERMISSION TO MOVE!

922
00:44:42,213 --> 00:44:46,551
{\an7}\h\hSO, TODAY I GOT A CALL.
PERMITS HAVE BEEN APPROVED.

923
00:44:46,584 --> 00:44:50,488
{\an7}\h\h\h\h\hSO IT’S JUST
THIS BIG WEIGHT LIFTED.

924
00:44:50,521 --> 00:44:54,091
{\an7}\h\hAFTER ALL THE FIGHT
AND THE STRUGGLE, SO...

925
00:44:54,125 --> 00:44:58,596
{\an7}GET TO MOVE THE LIONS
\hTO THEIR NEW HOME.

926
00:44:58,629 --> 00:45:00,264
<font face="Monospace">{\an7}I THOUGHT IT WAS PERTINENT</font>

927
00:45:00,298 --> 00:45:04,035
{\an7}THAT I WOULD COME TELL THESE TWO
BOYS FIRST, TAU AND NAPOLEON,

928
00:45:04,068 --> 00:45:07,572
{\an7}THE VERY FIRST TWO LIONS THAT I
EVER STARTED WORKING WITH,

929
00:45:07,605 --> 00:45:10,308
{\an7}\h\h\h\h\hTHAT WE’VE GOT
A NEW HOME TOGETHER NOW.

930
00:45:10,341 --> 00:45:12,109
{\an7}\h\hTHEY’RE GETTING OLD,
THEY’RE 15 YEARS OLD NOW,

931
00:45:12,143 --> 00:45:13,544
<font face="Monospace">{\an7}THEY DON’T HAVE MUCH TIME,</font>

932
00:45:13,578 --> 00:45:15,747
{\an7}AND THEY’RE GOING TO LIVE OUT
THE REMAINDER OF THEIR YEARS

933
00:45:15,780 --> 00:45:18,783
{\an7}IN THE MOST BEAUTIFUL PLACE
\h\h\h\h\h\h\h\hIMAGINABLE.

934
00:45:18,816 --> 00:45:20,885
{\an7}SO I COULDN’T BE HAPPIER.

935
00:45:20,918 --> 00:45:22,653
{\an7}EH? DID YOU HEAR THAT?

936
00:45:22,687 --> 00:45:26,057
{\an7}\h\h\h\h\h\hI DON’T EVEN THINK
YOU UNDERSTAND WHAT’S GOING ON,

937
00:45:26,090 --> 00:45:29,126
<font face="Monospace">{\an7}HOW MUCH I’VE BEEN
\hFIGHTING FOR YOU!

938
00:45:32,396 --> 00:45:36,166
{\an7}Narrator: THE BATTLE
HAS FINALLY BEEN WON.

939
00:45:36,200 --> 00:45:39,336
{\an7}BUT HOW WILL THE ANIMALS SETTLE
\h\h\h\h\hINTO THEIR NEW HOME?

940
00:45:41,038 --> 00:45:42,039
{\an7}Kevin: HELLO, HELLO, HELLO.

941
00:45:42,073 --> 00:45:43,908
{\an7}Narrator: ONLY TIME WILL TELL.

942
00:45:43,941 --> 00:45:47,144
{\an7}RIGHT NOW, IT’S TIME
\h\h\hTO CELEBRATE...

943
00:45:47,178 --> 00:45:49,147
<font face="Monospace">{\an7}Kevin: HEY!</font>

944
00:45:49,180 --> 00:45:53,484
{\an7}Narrator: BEFORE THE LIONS FACE
\hTHEIR BIGGEST CHALLENGE YET--

945
00:45:53,517 --> 00:45:56,453
{\an7}ACCLIMATING TO THEIR NEW
\h\h\h\h\h\hSURROUNDINGS.


